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Taking the bad with the good

While many of us share what we think are good components and combo's of gear, is there any specific system(s) that you've heard that you thought was utterly attrocious ?

Personally, one of the worst "mega-dollar" systems that i've ever heard was the demo system that Linn used here in Chicago at Hi-Fi '99. It was actively tri-amped using the infamous Linn CD player, their "flat as a pancake" sized power amps, Linn speakers, etc... The sound was SO "flat & sterile" that it made me think that i was in an elevator listening to a piped Muzak.

This all started out with the Linn rep's giving us a big schpiel about how technically excellent this system was, what the benefits to using components from one manufacturer were, how "system synergy" could be maximized, etc... This went on for some 20 - 30 minutes. Quite honestly, i was surprised at how full the room remained during this WAY too long of a sales rap. Finally, they ended up playing some music.

As i mentioned, everything sounded as if it had been "bleached" i.e. the music had no body, soul, colour, feeling or dynamics. By the middle of their first selection, over 60% of the crowd had turned around and walked out of the room. My brother and i stuck around as i wanted to give them the benefit of doubt. Onto the next selection. More of the same. Even more people got up and left. By the end of the demo, there was about 20 - 25% of the original crowd left.

I ended up talking to one of the sales reps and told him what i thought. I did this to let them know that they might want to try listening to the system from the consumers point of view / listening point rather than near the equipment or off to the side. Obviously, in my opinion, something was drastically wrong.

First of all, he did not know what the term "sterile" meant. He then went on to tell me "well, you're probably just used to listening to coloured equipment. Now you know what real music sounds like on accurate equipment." My only response to him was that most of the crowd must not like "accuracy" either, as they all split right away. If they were there to sell their product, they were doing more harm than good. Otherwise, the room would have still been full and people would have been asking "how much" and "where can i buy" rather than mumbling under their breath and heading for the door.

Anyone else have a similar story / experience ? Sean
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sean

Showing 1 response by detlof

detlof
1,899 posts
 
I haven't been to one audio show in the last twenty years, I did not go away from, sniggering inwardly about how my rig at home was much better, only to be brought back to reality, listening to perhaps similar systems at friends' or collegues' homes. Reason for that could be to my mind:
Sales people know how to sell, but generally haven't got a clue about music. Besides they have to stick to the names, they represent and there the synergy sought after is not musicality but money.
Their ears are ideologised, in a George Orwellian sense.
The room accoustics under show conditions generally stink to
high heaven.
Generally the power is polluted.
If at all, the systems have been tuned in empty rooms and they sound different, when they are packed with listeners.
I've heard myriads of excuses or "explanations" of the unfortunate salespeople, all of which I've forgotten, because they were probably neither funny nor particularly original. I was also genereally a bit taken aback by the taste of the general public, who seemed to love window rattling bass, which made the lower registers of a cello sound like a love sick dynosaur, I heard them rave about the clarity of upper registers, the sound of which made my teeth grit, or the naturalness of a guitar, which unfortunately had the size of a Mack truck. Mind you, this is Europe. Perhaps chez vous across the pond things are better.
Cheers,
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