SUT Advice - Which Ones Are The Best?


I am currently in research mode.  I want to add a SUT to my set-up but I am finding that there is not a lot of information from my local audio shop resources.  It seems that SUTs are outliers in the high end audio world.  
That said, I have read several articles in magazines and the web touting their merits.
Of all the brands out there I am most familiar with Bob's Devices.  Art Dudley wrote many good things about his experiences with Bob's SUTs, and I happen to trust Art (God rest his soul), but I'm wondering if there are others I should consider as well.  Please post your recommendations if you have experience with any SUTs, regardless of brand.
As for my set-up, I have a SME 20/2 turntable, Tri-Planer tone arm, Lyra Kleos cartridge, and KTE LCR Mk5 Phono preamp.  I do not know if I will always use a Kleos cartridge but I do think I will always buy low output MC carts.  I hope to buy something that will work with low output MCs but have some adjustability just in case.
I'd love to hear your recommendations.
Thanks!
Peter
128x128snackeyp

Showing 2 responses by jcarr

It is sometimes said that an SUT should be matched to the cartridge (or the other way around).
The reason typically given is the need to have an appropriate amount of SUT gain to bring the cartridge's output up to a level that is comfortable for the chosen phono stage.

However, there is another less-known but equally important reason, which is that the low frequency bandwidth and phase response of the SUT depend on both the inductance of the SUT's primary windings, and the net impedance that the primary windings will see, according to the following formula:
f = Z/(2*Pi*L)
where f is the frequency where the amplitude is 3dB down compared to higher frequencies,
L (in henries) is the inductance of the SUT's primary windings
Z (in ohms) is the net impedance

The inductance of the SUT's primary windings should be measured with the secondary windings left open. (Note that a completed SUT may contain internal load resistors across the secondary windings, therefore it is risky to assume that simply because the SUT is not connected to a phono stage, the secondary windings are truly open.)

"Net impedance" in this particular situation means the phono cartridge's source (self) impedance, in parallel with the impedance that is reflected back from the SUT's secondary windings (when connected to a suitable phono stage). Usually the net impedance will be dominated by the cartridge's source impedance.

The mathematical formula tells us that in order to improve the low-frequency capabilities our options are to lower the source impedance (choose a cartridge with less self-impedance), increase the primary inductance of the SUT (increase the number of transformer windings, increase the dimensions of the transformer core, or use a higher-permeability material for the transformer core).}

In a nutshell, the larger the self-impedance of a cartridge, the more primary inductance will be required from the transformer in order to keep the same low-frequency extension or phase response.

Conversely, if the cartridge has small self-impedance, less primary inductance will be needed for sufficient low-frequency extension or phase response.

Although the target frequency for "f" in the formula above could conceivably be set to the lowest frequency expected to be reproduced, if good phase linearity is likewise a goal, this will require a considerably lower target frequency.

Caveat: although good low-frequency performance from a transformer requires sufficient primary inductance, since high inductance (in the form of more turns, or more wire length per turn, or higher-permeability core materials) tends to pose problems for high-frequency performance, single-mindedly selecting a transformer with as much primary inductance as possible, isn't recommended either.

Summary: When choosing an SUT, be sure that the gain is appropriate for the output level your phono cartridge.
Also be sure that the SUT's primary inductance is suitable for the coil impedance of your cartridge.
When connecting a SUT and phono stage together, try to choose as low-capacitance cable as possible, using as short lengths as possible.
Generally SUTs work better with low-impedance cartridges.
@lewm , @mijostyn was undoubtedly trying to be helpful by linking to a page where a transformer winder (Sowter in this case) provides primary inductance data for one of their designs.

In addition to the Sowter Type 1990 webpage https://www.sowter.co.uk/specs/1990.php , I recommend also studying Sowter's Type 1480 page https://www.sowter.co.uk/specs/1480.php , as well as their Type 9570 page https://www.sowter.co.uk/specs/9570.php .

Starting from the Type 1480 page, it is specified for cartridges with coil impedances of 1~15 ohm, and its primary inductance is a fairly low 180mH. The accompanying frequency response curve is applicable when the source (cartridge coil) impedance is 3 ohm; and the frequency range is stated as "Essentially flat from 10Hz to 120kHz".

Next the Type 9570 page. Intended for cartridges with coil impedances of 1~100 ohm, its primary inductance is a far higher 1.9H (1900mH). The accompanying frequency response curve is applicable when the source (cartridge coil) impedance is 8 ohm; while the frequency range is stated as "+/- 1.0 dB 5Hz to 100kHz", instead of "Essentially flat from 10Hz to 120kHz" for the Type 1480.

Lastly we can look at the Type 1990 page, which has two primary coils to be connected either in series for 1:10 gain and 2000mH inductance, or in parallel with 1:20 gain and 250mH inductance. This is targeted at cartridges with coil impedances of 1~40 ohm (series coil connection, 1:10 gain, 2000mH inductance) or 1~5 ohm (parallel coil connection, 1:20 gain, 250mH inductance).

The accompanying frequency response curve is applicable when the source (cartridge coil) impedance is 40 ohm; while the frequency range is stated as "- 3 dB @ 5Hz to 100kHz". Once again, we see a transformer structure that the manufacturer recommends be set up for considerably more inductance when the cartridge impedance is expected to be higher, and commensurately less inductance when the cartridge impedance is expected to be lower. And on the same page Sowter declares "bandwidth improves with lower cartridge resistances".

You should be able to obtain primary inductance data from any company that winds its own transformers; Sowter, Ypsilon, Lundahl, Jensen, Cinemag, Intact Audio, Hashimoto etc. And even when the manufacturer does not wind the transformer units itself, they should be able to obtain the primary inductance data from their transformer supplier, or measure the value directly by placing an inductance meter across the au naturale transformer unit.