Mdomnick - I know you bought the ML Depth, and I hope you're happy with it of course. I didn't see this post until now, but still think I should relay my experience.
While I'm sure the ML subs are good subs, I spent some time auditioning them and found the lack of adjustments to be a deal-breaker to me. I spent plenty of time comparing the ML Dephth and Descent to the REL Strata. The ML subs only have 2 crossover points, something like 40hz and 70hz. So if one of these two crossover points isn't the perfect integration with your speakers, then you're pretty much out to lunch with one of these subs. I couldn't get either ML sub to integrate with my dynaudios nearly as well as the REL Strata, but I hope it works out for you.
I ended up purchasing a velodyne DD15. With its remote control, I can change it from being fast, accurate, and musical and integrated with my Dyns for classical, jazz, etc. Then I can hit a button to change the EQ curve a little bit to rock out with AC/DC. Then I can hit another button to crank it and make Jurassic park a blast. All of which will be using the built in EQ to fix major +/- 10db peaks and valleys that my room brings. I feel as though bass equilization is an ABSOLUTE necessity, unless you have measured your room to be flat.
That type of functionality is worth my money.
While I'm sure the ML subs are good subs, I spent some time auditioning them and found the lack of adjustments to be a deal-breaker to me. I spent plenty of time comparing the ML Dephth and Descent to the REL Strata. The ML subs only have 2 crossover points, something like 40hz and 70hz. So if one of these two crossover points isn't the perfect integration with your speakers, then you're pretty much out to lunch with one of these subs. I couldn't get either ML sub to integrate with my dynaudios nearly as well as the REL Strata, but I hope it works out for you.
I ended up purchasing a velodyne DD15. With its remote control, I can change it from being fast, accurate, and musical and integrated with my Dyns for classical, jazz, etc. Then I can hit a button to change the EQ curve a little bit to rock out with AC/DC. Then I can hit another button to crank it and make Jurassic park a blast. All of which will be using the built in EQ to fix major +/- 10db peaks and valleys that my room brings. I feel as though bass equilization is an ABSOLUTE necessity, unless you have measured your room to be flat.
That type of functionality is worth my money.