Subwoofer Question


Could having just one subwoofer (REL T/7x)with the crossover set around 60hz pull my image to the side that the sub is on?

maprik

Showing 4 responses by elliottbnewcombjr

A crosssover is not a cliff, so other fundamentals of slightly higher frequencies, lets pick 80hz  (at progressively diminishing volumes) are simultaneously originating from the sub’s location, and each fundamental brings it’s own set of harmonics, 160, 240, 320, ..... ALL lower in volume, yet ALL higher frequencies, ALL becoming progressively narrower, more directional.... 

When the ear can locate a harmonic’s location, the brain can ’find’ the origin of the fundamental.

Near crossover points, and as frequencies transcend, you can have both the sub’s cone, and the main’s woofer’s cone both making the same fundamental and series of harmonics. To retain directionality, to get the benefit of imaging, it is better to locate a stereo pair of front firing subs adjacent to the mains. I don’t llike ports, if so, also front firing to preserve/enhance imaging.

My speakers have 15" woofers with monster magnets, to both move and stop the cone (they weigh 37 lbs each) I think of them as built-in subs. People with true subs and sub arrays certainly have more lows than me, but I benefit from the bass imaging they create.

we read all the time that bass is omni-directional, but that's out in a cow pasture.

the conflict, in a listening space is, one sub, let's get the extension but not know it's location

two subs, let's get the benefit of extension AND imaging.

array, well that's for the big dogs for true extension added to large full range systems

My little 5.1 video system, I have 1 sub with a 1000 watt amp, right next to me, facing the TV, primarily to get Jurassic Park Dinosaur Stomps ...

Yes, this is why I often say a Stereo Pair of Subs, located near your mains, front firing to get the directionality/imaging that exists, i.e. where's the Jazz Bass Player?

you get fundamentals, harmonics, and overtones, i.e. 60/120/180/240 ....

diminishing in volume while increasing in directionality.

https://www.google.com/search?q=fundamentals+and+overtones&oq=fundamentals+and+overtones&gs_lcrp=EgZjaHJvbWUyBggAEEUYOTIKCAEQABgKGBYYHjIICAIQABgWGB4yCAgDEAAYFhgeMggIBBAAGBYYHjIICAUQABgWGB4yDQgGEAAYhgMYgAQYigXSAQg3Mzg4ajBqN6gCALACAA&sourceid=chrome&ie=UTF-8

 

the cone of the driver that makes the fundamental ALSO makes the overtones. They are not generated electronically, they are generated physically, relative to the fundamental

whichever driver initiates a movement also makes the harmonics

watch this short video, 

https://www.youtube.com/watch?v=EeEspQ6-Gzk&t=35s

this video is longer but perhaps easier to understand

https://www.youtube.com/watch?v=Wx_kugSemfY