Subwoofer Decisions - REL/Rythmik, Pair/Single, Paper/Aluminum Driver, etc.


I have decided to upgrade my subwoofers. I have a 15x12 room with an open side wall that I use for 2 channel and HT. Two channel music performance is the priority. We don’t listen to either very loud or need the room to shake. I am considering the REL S/510 and the Rythmik F12, F12G, FM8, L22 and E22. I have an all Linn vintage system. My speakers are Aktiv by installing special crossover cards in the 5 channel Class V amp. It outputs to the speakers in a bi-wire configuration. If I used a high level speaker connection I guess I would have to tie into the speaker wires connected to the Bass/Mid card.

Any thoughts on Rythmik v REL? You seem to get a lot more for your money with Rythmik and they also offer more options - finish, sizes, configurations, etc. Supporting a Texas based business is also nice. Do they offer equal or better quality and performance? There seem to be many fans that think so.

Any thoughts on Rythmik’s paper v aluminum drivers? The owner says that the aluminum driver retains its shape faster and is more detailed. He recommended the aluminum in my system over the paper even for 2 channel. The paper is lighter and has better extension above 80Hz. I’ve also heard that it is better at low volumes because it easier to move. My current subs have paper drivers and paper seems to be greatly preferred in the audiophile community.

Any thoughts on pair v single sub in my size room? One 10 or 12 is probably enough to pressurize the room but will a pair of dual 8 or 12’s make everything easier and better? Is there a point where they will overwhelm the room?

Things are pretty tight in my room so the smaller footprint of the vertically stacked FM8 and L22/E22 are appealing. Also stacked drivers look badass right? The FM8 with its dual 8 inch drivers will probably be faster than the larger 10 and 12 models. It also appears to go plenty low enough to keep up for basic HT needs. The L22/E22 have a smaller footprint than the single driver F12 but I’m concerned that those might be overkill.

High level speaker connection? REL recommends it. Rythmik offers it but recommends using other methods. Anyone know if using it with a Class V amp and tying it only to the bass/mid speaker output will perform well? I’m not sure how REL implements its filters to make this work. Is the high level connection really better in performance?

Thanks for the help.
128x128snatex
It's refreshing seeing other members using REW/Umik to see exactly what's going on in their environment. I have Rythmik E15HP2 subs.

I just don't understand how some guys just plunk their subs in any location, use bass heavy music, and adjust the volume according to a hand full of songs - except when a heavier bass song gets played, they adjust the volume again. Seems like a waste of money to me.

As an example, without using measurements, they have no idea if there's a bass hump, and by turning down the volume on the sub to address an issue like that, they lose out on the other bass frequencies because they've just made them inaudible. Forget about trying to achieve a flat bass response without using measurements - the advantage is you get to hear all bass frequencies.




When I was trying to choose between REL and Rythmik, I considered cost, size and weight, and place of assembly. Those factors led me to choose a pair of Rythmik F8s. I have not regretted that choice at all and appreciate the array of options to adjust output to the conditions in the listening room and the application (two-channel music or multichannel home theater). If you do go with Rythmics, my only suggestion is to use the switch to power them on manually rather than using the feature that powers them on automatically when they receive a signal. I did have some issues with the auto power on setting. 
Very helpful discussion for me.  Have been considering MJ Acoustics or REL (have owned both), but am very much circling in on a pair of F12SEs (or possibly FM8s).
Quick update -- the Rythmiks work beautifully, and the extra controls on them were very helpful for adjusting them to the room. I have kept the REL also, and it’s now adding something to the mix as a third sub, further away in the room. Adjustable phase is really valuable, and this was proved beyond a doubt both in measurements and in how it all blends in listening. There is no peak or dip greater than 6 db and mostly much less. My room has 6.5 ft. ceilings, so this is a major accomplishment for me.

P.S. Ascend Acoustics, the Rythmik dealer I used, were great to deal with.
I am frustrated by the quality control of Rythmiks speakers AND also their  customer support. I received a Rhythmic 12 sub a year ago and the power connector was damaged and did not work!!!!! After a couple of back and forths with the company (where they claimed it was a faulty power cord) it was not the power cord it was the IEC socket. I just gave up. The sub works as long as I do not move the sub 1 inch either way. I dont know what to do BECAUSE I have tried to contact the company numersous times and all I get is a delayed e mail....power cord on the way.
I have no purpose in dissing the company in fact I was led to believe by the Cable Company that Rhythmik was superior to Rel (most of the time).
I have no suggestions at this time...but I am not going to bite the bullet and pay for me sending the sub back!!!!!