Using actively configured speakers with digital cross-overs and setting this up is my kind of “DIY,” and being that my pro cinema speakers are modular, i.e.: they can be used with different midrange/HF horns on top, it’s another variable to be experiemented with, which I have.
At some point filter settings “coagulate” into more or less fixed values, but being able to change them on the fly, and not least knowing their influence in detail, can accommodate many things, like when I replaced the horns to bigger ones, wanting more “oomph” in the bass watching movies (not that that’s needed in my case), sheer experimentation, etc. Good stuff.
At some point filter settings “coagulate” into more or less fixed values, but being able to change them on the fly, and not least knowing their influence in detail, can accommodate many things, like when I replaced the horns to bigger ones, wanting more “oomph” in the bass watching movies (not that that’s needed in my case), sheer experimentation, etc. Good stuff.