Sure, the DAC probably is the limiting factor, but whether it’s of any consequence or not depends on you. It’s quite uncertain whether anything higher than 24/96 adds value or sound quality to the experience. Some say they hear it; but most blind tests show the reverse. I don’t claim I can hear it. In fact, some (not all!) of the best recordings I have are Redbook quality.
Even the respected critic Anthony Cordesman says he can’t hear any improvement above 24/96; and Mark Waldrep of AIX has said he’s concluded that 16/44.1, if optimally resampled and dithered in production, is fine for distribution.
So, I’d say, relax and enjoy!
Even the respected critic Anthony Cordesman says he can’t hear any improvement above 24/96; and Mark Waldrep of AIX has said he’s concluded that 16/44.1, if optimally resampled and dithered in production, is fine for distribution.
So, I’d say, relax and enjoy!