I’m no expert in these matters, but from my day to day experience static build up has nothing to do with the cartridge or even the plateau material or grounding. It all depends on the record itself.
I use three different turntables with copper, rubber, leather and/or cork mats and over 20 different cartridges and it’s ALWAYS the same discs that are static. I really have no idea why, but my guess is it has something to do with either the vinyl compound or the manufacturing process. The most annoying static occurs with those thin 70’s and 80’s pressings (Philips and DGG seem to be the worst offenders) and modern reissues. Pressings from the 50’s and 60’s are rarely a problem. One more reason why I prefer these pressings.
BTW all my records go through the same cleaning procedure and are all stored in the same Nagaoka anti-static inner sleeves.
I use three different turntables with copper, rubber, leather and/or cork mats and over 20 different cartridges and it’s ALWAYS the same discs that are static. I really have no idea why, but my guess is it has something to do with either the vinyl compound or the manufacturing process. The most annoying static occurs with those thin 70’s and 80’s pressings (Philips and DGG seem to be the worst offenders) and modern reissues. Pressings from the 50’s and 60’s are rarely a problem. One more reason why I prefer these pressings.
BTW all my records go through the same cleaning procedure and are all stored in the same Nagaoka anti-static inner sleeves.