Thank you so much for the write up, Mr. Trayle. No apologies needed. That's the kind of info I was looking for and it couldn't be better. You managed to talk about all the design features without lapsing into even one sentence of pornographic sonic description. Bravo! You have no idea how sick I am reading reviews about how "neutral" or "musical" a device is without any analysis of its function and mechanics. Just for that, I applaud you.
The said alignment arrangement is a great idea and I wish more manufacturers can adopt that in the future and, hopefully, it can be standardized among cartridge and tonearm makers. ANYTHING getting the alignment close to the ballpark is better than nothing. All it takes is two tiny holes, one on the headshell and one on cartridge body. Hey, why not!
Thanks for the explanation on the centroid concept applying to the arm pivot. Does the arm still retain the design feature in the Immedia arm like adjusting VTA WITHOUT moving the pivot point? Judging by the picture, the set screw in the middle of the bearing housing appears like such mechanism. I always find that a very unique feature in the Immedia arm, even though the VTA obsessives might complain about the lack of on the fly adjustment - not surprisingly they are usually unipivot users because, I believe, typical (not all) unipivot arms inherently require mass below center of gravity to be stabilized and its pendulum effect can affect VTF, hence sensitive to VTA adjustment. The Centroid concept probably helps in that department. Does it have VTA on the fly adjustment, then? No big deal to me, I rather be listening to records than constantly fuzzing over VTA. Speaking adjustment, how is azimuth adjustment achieved? Another question is damping. Does it have fluid damping like the Immedia or any damping at all?
Don't worry about being promotional. I am sure prospective buyers are more than happy to find out all the design features than not. Your write up is professional, informative and, to me, educational. Thank you for your time.
I am tickled by the story that a bunch talented designers from competing manufacturers sitting around "chatting about things analog" and coming up with ideas that can benefit audiophiles "in the spirit of furthering the art and not market competition." It is this spirit I wish to see more in the forum world.
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