speakers for a large room


Although the room is 45' x 15' , it is separated into an eating area, a sitting area, and a listening area(15'x15'). However, the ceiling is slanted and high and the separations between the areas is achieved with partitions only. The listening area is well damped with curtains and thick carpet.

Currently I moved a pair of magnepan 3.7i driven by a pair of sanders magtech mono block amplifiers into this room. These amps are rated to 2000w into 4 ohms and I have to be careful not to blow the fuses on the maggies . Preamp is a Schitt Freya +. The sound is superb. Until I set this system up, I really didn't know what people were talking about when they said they could 'see the instruments'. Positioning the maggies 5' away from the back wall is no problem but they cannot fill the room. I added a pair of rhythmic subs and the lower end is better. The imaging does require proper positioning and seating. You cannot really have a good listening experience unless you are in the sweet spot. That limits the experience to two people sitting really close. In addition, they are big and now with the subs, I am getting dirty looks from the boss of the house.

So I am looking for a pair floor standing speakers that can stand up to this room but that might be less imposing. Budget <12k. The walls have heavy curtains, thick rug on the floor so echo is well controlled. The weird asymmetric shape of the room also prevents any boominess. I listened to the B&W 802D but found them harsh (I don't remember the amp that was driving them). I remember a pair of salon2 and they had quite a large sweet spot along with beautiful clarity. Used the salon2 are around 11k. I have looked at (but not listened to) the Golden Ear Triton reference as well as the Triangle Magellan reference and the Gershan avant garde. Revel f228be are also on my list. I would like to keep my amps and preamp. 

I mostly listen to vocals, jazz standards, and folk acoustic although I also put on some ambient when I am reading, cooking, etc. I am getting on in years and have noticed fall off in my ability to perceive the upper frequencies but still enjoy listening. No video/movies.

Which speakers would work well with my amps and this big room? I am looking for a bigger sweet spot (soundstage?) , more presence to fill the room a little better without losing the clarity, the realism and the quick response (articulate?) of the maggies.



topjetboy
The Martin Logan Expression ESL 13A are very Impressive and are on sale in your price range. These speakers are a tour DE FORCE in your living room. Be assured you will not regret making the switch. However, If you think your going to replace the large presentation by switching to smaller (wife friendly speakers) DONT do it! I regret getting rid of my Mirage M3’s back in the day. Get speakers of equal size or close to it.

www.martinlogan.com/en/product/expression-esl-13a


Matt
If you like the Maggie sound why not move up the line. I'm wondering too why your Maggie's would blow fuses I'm running mine with a Pass 250.8, 500 watts into 4 ohms and never a problem, maybe the amp needs to be changed.
@johnto I spoke with Sanders and he said I was overpowering them. 

With regards to active speakers like D&D or the JBL M2, I really can't spend for a new active eq amplified setup. In retrospect, I should have considered a fully active system like Linn.

For now, I am leaning towards a used pair of revels. 
Topjetboy wrote: "I am looking for a bigger sweet spot (soundstage?), more presence to fill the room a little better without losing the clarity, the realism and the quick response (articulate?) of the maggies."

Interesting challenge!

My background includes owning five or six pairs of Maggies (depending on how you count ’em) and being a SoundLab dealer since 1999. I have been a speaker manufacturer for the past fifteen years.
In case you haven’t already, you might open the curtains as much as you can. One-half of the sound the Maggies put out -- the backwave - is destined for the reverberant field, and by aggressively absorbing the reflections you are taking some of the life out of the Maggies. I don’t expect this to make enough of a difference, but you might as well try it for the sake of gathering more data for your quest.

Much as I love SoundLabs, the smaller ones which fall within your price range are not going to "fill the space" significantly better than the Maggies, though the 90-degree-pattern versions will give you a wider sweet spot.

There is a little-known but effective technique for getting a wide sweet spot which may be applicable to your situation. First a bit of background:

The ear localizes sound sources by two mechanisms: Arrival time and intensity. When you are seated in the central sweet spot, arrival time and intensity is the same from both speakers, so you have a nice soundstage. When you listen from off to one side, the near speaker of course "wins" arrival time, but it also "wins" intensity, largely because you are now more on-axis of the near speaker and more off-axis of the far speaker. So the center vocalist actually shifts towards the near speaker even farther than you have!

If only there was some way to make the far speaker louder than the near speaker...

Well, there is. We start out with speakers that have a fairly narrow (perhaps 90 degrees) and very well-controlled radiation pattern, and toe them in severely (perhaps 45 degrees) such that their axes criss-cross in front of the central sweet spot. Here is what happens: For the off-centerline listener, the near speaker inevitably "wins" arrival time, but the far speaker "wins" intensity! These two localization mechanisms approximately balance out and you still get a good soundstage from well off to the side. Not as good as up and down the centerline of course, but still enjoyable.

At audio shows whenever possible I set up one chair along a side wall, to the outside of the nearest speaker. Sometimes when the room is full somebody will sit in that chair. When the song ends, I ask them if they could still hear a decent soundstage. They always say they can, and that the music was surprisingly enjoyable from that location.

Here is the secret: The output of the near speaker must fall off smoothly and rapidly as we move off-axis, at least in the upper midrange and treble regions where we get most of our localization cues. Most speakers can’t do this well because most speakers not only have wide radiation patterns, but those patterns are seldom smooth off-axis.

High-quality prosound drivers can give the desired radiation pattern characteristics for a wide sweet spot (assuming proper setup), with the added benefits of good clarity and good dynamic contrast. In my opinion it is even possible to preserve that sense of immersion you get when your Maggies are about five feet out into the room, but without taking up as much real estate as your Maggies require (the details of how to do this get into specifics which might be out of place here). Unfortunately most people have a negative impression of "prosound drivers" due to exposure to harsh PA systems which maximize decibels per dollar. The JBL M2 would be an example of a prosound-driver system which maximizes sound quality.

Topjetboy, I think there are solutions to your situation which may or may not involve something unorthodox. In an "orthodox" solution, the Revel Salon 2’s you mentioned are competitive. But imo there are other approaches which do a better job in some of the areas you mentioned.

Best of luck in your quest.

Duke