Speaker recommendations for new venture


I'm opening a new store (not an audio store), but my atmosphere will include a higher-end stereo system/2 channel for a TV.

Preamp: Right now I'm thinking a McIntosh D100 because I want to stream a music service via coax from my computer sound card and have a toslink from my DVD player.

Amp: I'm thinking bi-amping the speakers with a 200 or 225 watt four channel. ATI AT1804 or AT2004?

Speakers: The room is 24 feet by 90 feet. Any and all suggestions, passive drivers, etc, would be greatly appreciated.

I'm looking to stay in the $2000-$2500 range for the speakers, and will take ideas for new and used in that range.

Thanks!
nbrahm

Showing 3 responses by audiokinesis

I do a fair amount of work on the prosound side, in addition
to my home audio designs. My speakers are used every
weekend in live gigs all over the country.

The key to high quality sound in a big room, like your 24 x
90 foot room, is speakers that have well-controlled
radiation patterns and smooth off-axis frequency response.

Here's why: The direct sound from the speakers, or first-
arrival sound, only dominates at close range, typically
about 5-15 feet (depending on how directional the speakers
are). Beyond that distance, the reverberant energy in the
room dominates the perceived tonal balance. And the off-
axis response is what dominates the reverberant field. So
if you want good sound for everyone else in the room, you
need speakers that do a really good job with the reverberant
field, which means they need to do a good job off-axis.

High quality PA speakers are designed to do this. So are
some home audio speakers, and they tend to look like PA
speakers. The type of radiation pattern you want depends on
where the speakers will be located. For example, if they
will be on the long wall, you'll want a much wider radiation
pattern than you would need if they were on the short wall.
In fact you might even want to use four smaller PA-style
speakers (two on each side in a splayed array) to give
adequate coverage if they will be on the long wall.

As for bi-amplifying, unless you are skilled at setting up
active crossovers, or have access to someone who is, I
recommend going with speakers that have a good passive
crossover already built in. In a high quality application
the crossover provides equalization tailored to the specific
drivers, and that's the part that takes some expertise to
get right.

The same tradeoffs exist for this application as for any
other: Box size vs bass extension vs efficiency. If you
can get away with large boxes, you'll have deeper bass
and/or higher efficiency. How important are low end
extension and SPL in this application? Does "TV"
= "action movies at high volume"?

Duke
dealer/manufacturer
The inverse square law (SPL falls off with the square of
distance) applies only to the direct sound. In a room,
there are two primary components of the sound field: The
direct sound, and the reflected or reverberant sound.

Unlike the direct sound, the reverberant sound is just about
constant in SPL (approximates a "steady state") throughout
the room. Up close to the speakers, the direct sound is
louder. Then as we move back, the direct sound falls off in
SPL according to the inverse square law, but the reverberant
sound stays just as loud. At some distance they become
equal in loudness, and then at greater distances the
reverberant sound is louder. There is some continued
falloff in overall SPL all the way to the back of the room
as the direct sound's contribution gets weaker and weaker,
but that falloff is asymptotic rather than linear, with the
reverberant field setting the lower limit.

(I've made a few simplifying assumptions here, such as
ignoring room boundary effects, lumping early & late
reflections together, and glossing over the transition zone,
but the general principles described are valid.)

Duke
Imo multiple speakers done right might be a better solution, depending on what the OP is trying to accomplish. But done wrong, they would be a worse solution, from what little we know (a TV screen is sometimes involved).

If multiple speakers are used, then we should time-delay the outputs of the speakers that are farther away from the TV end of the room. Otherwise listeners will get clarity-degrading arrival time miscues - they'd hear the side speakers first and then the front speakers, and the ears would localize the sound from where it first arrives, which would be distracting if the sound is supposed to come from the TV screen. Even with such time delay, there may still be areas of good and poor intelligibility within the room.

Unamplified music, from quartets to symphony to choral groups, is "played" from one end of the room only and people seem to not mind. So too with most amplified bands, but the average amplified band is seldom the paragon of clarity.

Without knowing what the purpose of the room is, it's hard to say what the optimum system would be. It may well be multiple speakers, properly delayed.

Duke