Although Don and I optimized the Raven and Blackbird to deliver their best performance with each other, we went to considerable trouble to make sure they add sonic value to other systems, too. For the Raven, this means optimal performance when matched with classical push-pull pentode amps and modern transistor amps.
Both RCA and XLR outputs offer equal sonic quality, since the only difference are the ratio of the output taps on the output transformer. The circuitry is exactly the same for both outputs, using a direct straight-through path from input to output. There are no "add-ons" like phase inverters to create the minus phase of the XLR output, no cathode followers, no dynamic loads, no current mirrors, no op-amps, nor DC servo circuits. The custom-design transformers solve all these problems at a stroke.
What you hear are point-to-point wires, triode vacuum tubes in a balanced Class A circuit, and studio-quality transformers. Nothing else. There are no coupling caps, no feedback, and no secondary signal paths in the circuit, just straight through from input to output.