Soundstage - Too much?


Is there such a thing as too much soundstage? Should the width of the stage extend to the side walls in your listening room? How would you compare the soundstage in your system to live music?
jtinn
I admit, yours and Sedonds, arguments are impressive. Sedonds obseravtions and your argument about imaging off the floor is what got me rereading again. I found myself quating from what I remember reading and couldnt answer all of your questions. Its been a couple of years since I read the book and I am a little rusty. Acoustics are very complex and I think it breaks down to an overall understanding then individual properties. I will try to find the passage that covers that specific question. But Just because its in a book doesnt mean we cant question its intergrity.
If side wall created the image outside the speakers, I should hear that more when a insturment is at the far right. That just isn't the case, I can have an insterment loudly playing far right and here nothing outside the speaker. I believe it's the enviroment within the studio and the sidewall locations in relationship to the mikes. If I had a recording with information telling the speaker theres sound 10' right, even in a dead room I think I'd hear it. Just my guess?
Perfectimage: What was the name of the book and Author again?

I really would like to read it but fear it might be a cure for insomnia. I will, however, give it a read.

Thanks in advance for your attention to this detail.

Rob
jadem6, i'm pretty much w/ewe on this, except, i'd say not *even* in a dead room, but *especially* in a dead room. quality speakers and electronics have the ability to transmit this info if it's on the recording, *if* the info isn't smeared by competing 1st-reflections of a room, which will confuse the ear-brain & ruin these subtle cues. thus, my opinion that *no* sidewall reflections is key to a wide soundstage.

regards, doug

Much better communicated Sedond. I think the sidewall reflection does smear the image, damn your good.