SOTA STAR Sapphire Turntable Care and Feeding


I'm seriously interested in a used SOTA STAR Sapphire Series III Turntable with Vacuum, Electronic Flywheel and SME Series IV Tonearm, that is close to me and a very reasonable price.  It would be a big step up from my current Pro-Ject X2B, but I want to make sure it is not too technical for my dinosaur brain before I pull the trigger.  How difficult it is to get set up?  Once it is set up, do you need to constantly fuss over it or just the occasional check?  I have an upgraded Joliida JD-9 phono pre-amp.  Would this pre-amp be sufficient for the SOTA  or would I need to upgrade that to do justice to the SOTA?  Any other quirks of this turntable that I should be aware of?  Thanks in advance for your advice.

 

John Cotner

New Ulm, MN

jrcotner

Showing 6 responses by mijostyn

I owned a Sapphire for 40 years and currently run a Cosmos Vacuum.

Put the turntable on a stable surface and level it by adjusting the three threaded feet. Adjust the tonearm and check alignment. Plug it into your Jolida which will do fine and enjoy. 

I would definitely replace the belt. You must order the belt from SOTA. Do not use generic replacements.

You might also have your serial number in hand and request a list of upgrades available for your unit. There have been many improvements over the years. For sure you should consider a new magnetic bearing and platter. 

If records have trouble sealing you will need to send your platter back and have a new mat put on. Records that are warped or dished and won't seal sometimes can be made to seal by starting up the table with the two finger nails pushing the lip of the record down at 180 degrees for three revolutions. records that are dished will seal on one side but not the other. 

If the pump makes enough noise that you can hear it from a distance of 10 feet it will need to be replaced with a new unit. The new ones are much quieter. 

Enjoy your table. The suspended SOTAs are the best value in a high performance turntable on the market then and today. There are very few turntables that can surpass it. 

@jrcotner 

There is a neoprene tube that connects the vacuum pump to the turntable. That can be as long as you want. I am not sure what they did with the older Stars. The new units have the power supply in the pump and there is an umbilical cord that runs to the control unit. I suspect you have at least 10 feet. I put the pump right below the turntable on the floor behind a stack of records and you can not here it at all. 

@lewm 

The difference in sound quality comes from better pitch stability. I find pitch variation ruins the "I am there" effect. It reminds me I am listening to a reproduction. 

@jrcotner 

Good buy! Make sure you get a spare belt. They wear out a variable intervals. What you see is worsening Wow and Flutter. Get a speed ap that shows wow and flutter on your phone. Check the table when you get it and again every 6 months. When it goes over 0.1% clean the rim of the platter and the pulley with brake cleaning fluid and replace the belt. I always keep a spare handy. DO NOT use powder on the belt. Powder causes the belt to slip more during startup and shutdown which accelerates belt wear. It also makes a mess out of the turntable. IMHO you are better off with a high output cartridge than the lower Hannas. You might ask Christan for a Nagaoka MP500 or a Goldring 1042. These cartridges have high performance styluses and cantilevers that the Hannas below the Red do not have. They are also more dynamic and thus better for rock and jazz. Both cartridges are a fabulous value. The Soundsmith Voice is a fabulous cartridge, better than many 5-6K moving coil cartridges! But, it is also much more expensive than the MP500 and 1042 @ 3K. 

@jrcotner 

CRC brake cleaning fluid and Electronics cleaner are virtually the same stuff! You can use either. Both are excellent at removing oils. Without a smart phone or any way to know how much you use your turntable I would certainly replace the belt every three years or sooner.

The MP 500 and 1042 are in the same price range as the lower Hanas.

@cbrez 

You are entirely correct and I apologize. The Blue has the same cantilever and stylus as the Red. 

@tomic601 

The generators of cartridges, with few exceptions, are very simple devices and very old tech. The performance of cartridges assuming similar construction quality, is due primarily to the stylus shape and cantilever. The Hana Blue is a $2000 cartridge. The Goldring 1042 is a $600 cartridge with a high performance stylus and boron cantilever. The Nagaoka MP 500 is a $900 cartridge also with a high performance cantilever and stylus. These cartridges are better values because high output cartridges have a very different market which will not spend mega bucks on a cartridge. The profit margins are not as high. They also are much less demanding of phono stages resulting in better signal to noise ratios and a more dynamic presentation. 

As @lewm has discovered. The MP 500 is a first class cartridge in many respects. I think it is a shame when financial constraints are at play that cartridges like the MP 500 are not considered.