Sota or Technics


Hello all, first time post here. 
I am in the market for a new TT under 2k. I've narrowed it down to the Sota Comet and the Technics 1200GR.
Going to use a $300 to $500 MM cart. 
System consists of NAD533 TT (currently). NAD pre amp, Cambridge Phono pre amp, Mac 240 amp, TDL compact monitors. 
Sota i like as it uses the 330 tonearm, is built in the states, solid rep, solid support, is pleasing to the eye.
Technics I like as it's built like a tank, seems more plug and play has a good rep and looks good too. (more bells and whistles, both positive and negatives there)
Obviously they are different in some ways. Direct drive vs belt etc..
Was wondering if anyone had an opinion either way on either deck. Greatly appreciate any feedback.
Thank you
doyle3433

Showing 2 responses by costa94109

There are excellent examples of both belt drive and direct drive from various manufacturers, and poor examples of each.
To judge the arm quality however based purely on visual observation is absurd. Technics has a reputation for having made, and still making, some superb arms. The one in the new crop of 1200’s is no exception. The bearings are very high quality, and the geometry is spot on. It’s fine if one doesn’t like it, but at least give it fair test first. The motor systems are beyond reproach.
I personally have owned many excellent belt and direct drive tables. My current Technics tables include a 1200MkII, 1200GAE, and an SP-25 with an SME 310 10" arm. Cart is an Ortofon Cadenza Blue which I move between the tables. Past tables includes Michell Gyro SE w/RB300, Syncrodec, and some higher end Pro-jects and Thorens tables with their stock arms.

I also want to add that about 10 years ago I purchased an armboard (I forget the UK brand) made for Technics tables, to install Rega arms. The listening sessions ended after one week and I put back the 1200MkII’s original arm which I quickly deduced was far, far better than people give it credit for.

The one thing I can say is that the Technics tables don’t have that lush, soft, warm "vinyl" sound (or at least they have less of it). They sound much more immediate, with deep, tight and tuneful bass, and an extremely neutral midrange. The best of the bunch above is the 1200GAE, followed by the SP-25 rig (stock SH-15B3 plinth by the way). And, up until about 25 years ago, I worked in high end audio retail and sold SOTA. Nice tables. Well built, at least the bigger models. However if I had to pick today, the Technics wins hands down all the way. The 1200GR which I have used at trade shows punches way above its weight and exhibits all the sonic qualities I describe above.  It is the sound that appeals to my tastes, and technically it is a formidable player.
"Technics for sure"
But of course!
If your going to the night club....🥱

Sota hands down, and I don’t own either.

And it’s blanket statements like this which often discourage me from posting on this site.

Facts: the Technics was designed for home use. DJ’s found favor with it because it fits their needs well too. The criteria that make up a good table for DJ applications are in fact highly similar to those that are required for a good high-end home-use turntable: solid chassis, immunity to external vibration, robust and high quality bearings that can stand repeated use (for both the platter and arm). The 1200 family has these qualities in spades.

Now if you do not personally like the sound, that is fine. You have that right.  Please however do not lord it on others.