Sonus Faber Amati Tradition or Serafino G2


 

Hello - Literally my first post here. Relatively new to the hobby and looking to build a new hifi system and can use some advice here. 

I currently have a pair of BW Formation Duos (these are fantastic by the way) with Cambridge Alva TT V2 turntable and looking to up the game with what would consider to be forever system. 

I know I like the Sonus Faber sound signature. I am trying to decide between a used Amati Tradition (previous gen) vs Serafino G2 (current model) for the same cost. Both driven by Accuphase E-5000 integrated in a 13 ft X 38 ft room with 9.5ft ceiling. I listen to Jazz (50%), Acoustic vocals (25%), Classic rock(25%). Unfortunately, do not have a way to audition them before making the purchase.

Do any of you have experience with both of these and what would you do if you were in my shoes.

Thanks for your guidance in advance.

rock112

Showing 3 responses by dhite71

@rock112 

How are the Amatis sounding?

I have been considering some SF speakers and just read through your thread.

 

@rock112 

Glad they are working out so well!  Having speakers you truly love as the hub of your system makes this journey so much more enjoyable.  As you experienced with the upgraded streamer the possibilities for improvements are endless and awaiting for whenever your budget and desire takes you there.  Not sure when but at some point I will try some Sonus Faber speakers.  I have been with Wilson Audio for about 7 years and love them but really want to see what something like your Amatis could offer in comparison.

@rock112  the toe-in appears good in your picture;  I think the optimal position strategy varies by manufacturer but I would think it would be similar...not sure about that;  Regardless, with Wilsons they toe-in quite a bit.  They have mostly flat sides and say that you should just see the inside of the speaker when seated.  Mine are on the pucks on hardwoods as well and I can carefully make adjustments without the spikes coming off the puck so I would think you can do the same;  My method is always to ensure the voices really pop from the center....be sure you use a recording where the voice is in the center;  Patricia Barber Blackbird is a good one and at about 1 min or so into the song it really gets going and the music covers the entire soundstage and even extend outside of the speakers position