First, let me say that a 2A3 is an awesome tube. It offers alot, whether you compare it to anything, and it has some more power capability than a 45. Speakers are easier to drive to a higher level with a 2A3. It is beautiful in delicacy and midrange glory. I would be happy having a 2A3 amp.
Having said that, I like the 45 better, because it has more of everything the 2A3 has(except power), and some warm glow that just is magic with the right speakers. Alot of people would say the 45 is the ultimate SET tube. The delicacy and transparency of the 45 is legendary. But it does not have the bottom end and "balls" of a 300B, that's for sure.
2A3 is a little "drier" than a 45. A 45 has a beautiful "sweetness" to it.
And also, a tremendous amount of importance is based on the quality of application of these tubes. The tube does not stand alone. It is merely part of an amp, that must be good enough to show the qualities of the tube, over another one.
In similar quality amps, I would prefer the 45 over the 2A3, but it is not to say that a 2A3 is some kind of "inferior" tube. Many people may prefer a 2A3 over a 45. And many people may prefer a 300B over both of them. It is kind of a personal preference, and may depend on the speaker you want to drive, as well as the amp configuration and execution.
This is one of the really fun things about SETs. You get to explore the world of single-ended triode, in many different iterations. This is the kind of thing that could give rise to many hours of discussion over coffee, between DHT SET enthusiasts.
My new Berning 45 amp is set up for 45s, but will accept 2A3 tubes(at the 45's voltage) so I can sample the flavor of some 2A3 tubes if I want to. The power will still be the same due to the voltage, but the sound will be 2A3.
I have only the 45 tubes at this time, but may buy some 2A3s to try out in the near future.
Have some fun. It is all in sampling the flavors.
Having said that, I like the 45 better, because it has more of everything the 2A3 has(except power), and some warm glow that just is magic with the right speakers. Alot of people would say the 45 is the ultimate SET tube. The delicacy and transparency of the 45 is legendary. But it does not have the bottom end and "balls" of a 300B, that's for sure.
2A3 is a little "drier" than a 45. A 45 has a beautiful "sweetness" to it.
And also, a tremendous amount of importance is based on the quality of application of these tubes. The tube does not stand alone. It is merely part of an amp, that must be good enough to show the qualities of the tube, over another one.
In similar quality amps, I would prefer the 45 over the 2A3, but it is not to say that a 2A3 is some kind of "inferior" tube. Many people may prefer a 2A3 over a 45. And many people may prefer a 300B over both of them. It is kind of a personal preference, and may depend on the speaker you want to drive, as well as the amp configuration and execution.
This is one of the really fun things about SETs. You get to explore the world of single-ended triode, in many different iterations. This is the kind of thing that could give rise to many hours of discussion over coffee, between DHT SET enthusiasts.
My new Berning 45 amp is set up for 45s, but will accept 2A3 tubes(at the 45's voltage) so I can sample the flavor of some 2A3 tubes if I want to. The power will still be the same due to the voltage, but the sound will be 2A3.
I have only the 45 tubes at this time, but may buy some 2A3s to try out in the near future.
Have some fun. It is all in sampling the flavors.