I think you pretty much hit the nail on the head. Marketing goes a long way to influence purchasing. Purchasing can be triggered by a host of reasons, some of them obsessive on the part of the buyer. People in marketing know this and prey on it.
Your description of the various types of dielectrics pretty much sums it up, for me. The less, the better. Purity of metal as conduit goes a long way as well. Beyond that, who really knows? System synergy then comes into play and all bets are off.
As for the 'neutral' nature of a cable goes, I find it funny how review after review touts the neutrality of a cable in one area only to go on about what it does to the extremes as an afterthought, rendering the cable only neutral in the one area mentioned. And just when it was declared neutral, the soundstage is not as wide, or deep, and the performers recede or come forward, or something else is heard in a more convincing manner at the expense of another aspect.
Neutral? Hardly that. They just negated the claim.
I think if reviewers were to claim something sounds more authentic, in one way or another, and leave it at that, it would be more believable. But to claim, across the board, better neutrality and then go one to relate the drawbacks of other areas of performance kind of diminishes the veracity of the reviewer unless he/she goes to lengths to explain just how and where this neutrality lies within reproduction and leave it at that. Anything more makes it an over the top selling point.
All the best,
Nonoise
Your description of the various types of dielectrics pretty much sums it up, for me. The less, the better. Purity of metal as conduit goes a long way as well. Beyond that, who really knows? System synergy then comes into play and all bets are off.
As for the 'neutral' nature of a cable goes, I find it funny how review after review touts the neutrality of a cable in one area only to go on about what it does to the extremes as an afterthought, rendering the cable only neutral in the one area mentioned. And just when it was declared neutral, the soundstage is not as wide, or deep, and the performers recede or come forward, or something else is heard in a more convincing manner at the expense of another aspect.
Neutral? Hardly that. They just negated the claim.
I think if reviewers were to claim something sounds more authentic, in one way or another, and leave it at that, it would be more believable. But to claim, across the board, better neutrality and then go one to relate the drawbacks of other areas of performance kind of diminishes the veracity of the reviewer unless he/she goes to lengths to explain just how and where this neutrality lies within reproduction and leave it at that. Anything more makes it an over the top selling point.
All the best,
Nonoise