Some Thought on Cables and Tweaks


What is the mechanism by which a cable or tweak produces an audible difference in a system? It seems clear that the flow of electrons is being altered or colored in some way. We sometimes hear talk about the best cables doing nothing and we sometimes hear the word "neutral" when referring to cables but I personally feel these are both inaccurate descriptions. A cable cannot be doing nothing. The physics militates against this claim. And, frankly, I don't know what the word "neutral" means when referring to cables.

I don't think any tweak maker would claim their tweak was doing nothing or is “neutral”. I don't think that customers would line up for their products under those conditions. But I find it interesting that cable customers line up under those very same conditions. My question is this: what is the difference between a cable and a line tweak in this respect? After all, some tweaks are even incorporated into cables.

Has any cable maker or any audiophile or any physicist -- actually seen electrons during the process of being altered or colored? I doubt that anyone has. Can anyone say with complete accuracy what is actually going on in cables or tweaks to produce the results they produce? I doubt that anyone can. There are few cable or tweak makers who will admit to this.

It seems as though the proof for what goes on with cables and tweaks is mostly empirical. The physics may be understood by some -- to one degree or another -- but the proof is in the pie. To tell you the truth, that's good enough for me as long as the resulting sound is good. I am not very intellectual when it comes to the sound of my system. But I am curious as to how much cable makers really know about what their cables are doing because most of the cables I have had in my system have been nothing to write home to Mama about.

Some cable makers and tweak makers produce more verbiage than you can shake a stick at to describe what their products do. How many cable makers or tweak makers really understand the physics of their products well enough to describe accurately what is going on with their products? I believe they have mostly arrived where they are at not through understanding the physics of cables and tweaks but by experimenting -- with metals -- with "geometries" (whatever that word means)-- with dialectrics -- with shielding. I believe most of the theories being promulgated for most of the cables and tweaks are an afterthought. The best makers come up with products that create great sound. The rest -- well, let's be kind and say run-of-the-mill.

There are a whole lot of audiophiles chasing a whole lot of cables and tweaks based on manufacturers’ claims. But how reliable are those claims that have high end audiophiles chasing one product after another? If even a fraction of those claims were true then there would be a lot less chasing going on. I mean, how many truly great cables and tweaks are there out there? A lot less than are advertised as being great. IMO.
sabai

Showing 1 response by nonoise

I think you pretty much hit the nail on the head. Marketing goes a long way to influence purchasing. Purchasing can be triggered by a host of reasons, some of them obsessive on the part of the buyer. People in marketing know this and prey on it.

Your description of the various types of dielectrics pretty much sums it up, for me. The less, the better. Purity of metal as conduit goes a long way as well. Beyond that, who really knows? System synergy then comes into play and all bets are off.

As for the 'neutral' nature of a cable goes, I find it funny how review after review touts the neutrality of a cable in one area only to go on about what it does to the extremes as an afterthought, rendering the cable only neutral in the one area mentioned. And just when it was declared neutral, the soundstage is not as wide, or deep, and the performers recede or come forward, or something else is heard in a more convincing manner at the expense of another aspect.

Neutral? Hardly that. They just negated the claim.

I think if reviewers were to claim something sounds more authentic, in one way or another, and leave it at that, it would be more believable. But to claim, across the board, better neutrality and then go one to relate the drawbacks of other areas of performance kind of diminishes the veracity of the reviewer unless he/she goes to lengths to explain just how and where this neutrality lies within reproduction and leave it at that. Anything more makes it an over the top selling point.

All the best,
Nonoise