Solid State Phono Stages


I used to be an all-tube guy, but I’ve now ventured into the realm of high-end solid state with T+A and no longer have any itch to go back heavily into tubes. Now, the only tubes I have left in my system are in my Modwright PH9.0X phono, and from what I’ve demoed against it, it seems to be a giant killer. I do love it, but I’m curious to try a higher end solid state phono stage to see what more noise and more music might sound like. Unfortunately T+A does not have a standalone phono stage, so I’m looking at other manufacturers and open to other opinions.

I currently have a Clearaudio Innovation Wood table and Air Tight PC-1s cartridge. i listen to a wide range of music, from Zeppelin to Vivaldi to Beck to Coltrane to Yello. The stage would ideally have between 65-74db of gain, maybe adjustable to 60db at minimum, and have variable impedance values. A balanced output stage would be ideal. I don’t ever really plan to have a second arm, but most stages that retail over $7K tend to have multiple inputs anyways.

My budget would be at tops ~$8K for a used unit. The unit that is sticking out to me from what I’m reading about is the Simaudio Moon 810LP. Another high on the list is the Esoteric E-02. I’ve also come across the Pass XP-27, the Gold Note PH-1000.

I’m looking for a stage with some personality in its character, not one that is overly refined. I’d love for it to be dynamic and bold when it should be, and also gentle and refined when it should be.

The only solid state stages I’ve ever owned and tried were the Pass Labs Xono, which was clean sounding but a little noisy and brittle sounding compared to a PS Audio Stellar Phono. I’ve liked all my tube phono stages better than both of those units.

I’ve also considered going further up the tube stage route, looking at Doshi 3.0, Aesthetix IO Eclipse, but I’m hesitant unless I can hear those in place. 

What solid stage phono stages have you loved, and what have you compared them to?

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Showing 3 responses by lohanimal

@varyat I have the first whest 0.20 - superb phono stage - I understand the ref and subsequent models are better still.

 

@thiefoflight 

It's too much of a generalisation to consider it simply between valve and SS design.

 

For instance the Whest is very different to a Tom Evans which is then different to a Vendetta. Its a bit like going from a FWD to a RWD car - ie a porsche vs bmw vs ferrari are all very different.

 

Try and audition one in your system - take up @bigkidz  offer...

 

 

@thiefoflight 

I hope i did not offend you as that wasn't intended. The problem with forum threads is that it often becomes my latest is the best and i will talk about it until i get the next item.

roy gregory who was at hifi plus did a series of very good reviews around 15 years ago - many of the units are still in production such as the EAR, Boulder and Tom Evans.

If it were my money - BOULDER; WHEST - 

If I could afford it constellation - also consider parasound jc3 - i heard one in a parasound system - i have both a whest and vendetta in my system - love them both

Try and source a Vendetta SCP2A - or derivatives - and don’t worry about a phono stage again. 
I personally am not a fan of tubes although I haven’t tried enough to give an ipso facto critique. That said if you want a musical phono stage both those from Tron and the EAR834p are worth a listen