Solid State Phono Stages


I used to be an all-tube guy, but I’ve now ventured into the realm of high-end solid state with T+A and no longer have any itch to go back heavily into tubes. Now, the only tubes I have left in my system are in my Modwright PH9.0X phono, and from what I’ve demoed against it, it seems to be a giant killer. I do love it, but I’m curious to try a higher end solid state phono stage to see what more noise and more music might sound like. Unfortunately T+A does not have a standalone phono stage, so I’m looking at other manufacturers and open to other opinions.

I currently have a Clearaudio Innovation Wood table and Air Tight PC-1s cartridge. i listen to a wide range of music, from Zeppelin to Vivaldi to Beck to Coltrane to Yello. The stage would ideally have between 65-74db of gain, maybe adjustable to 60db at minimum, and have variable impedance values. A balanced output stage would be ideal. I don’t ever really plan to have a second arm, but most stages that retail over $7K tend to have multiple inputs anyways.

My budget would be at tops ~$8K for a used unit. The unit that is sticking out to me from what I’m reading about is the Simaudio Moon 810LP. Another high on the list is the Esoteric E-02. I’ve also come across the Pass XP-27, the Gold Note PH-1000.

I’m looking for a stage with some personality in its character, not one that is overly refined. I’d love for it to be dynamic and bold when it should be, and also gentle and refined when it should be.

The only solid state stages I’ve ever owned and tried were the Pass Labs Xono, which was clean sounding but a little noisy and brittle sounding compared to a PS Audio Stellar Phono. I’ve liked all my tube phono stages better than both of those units.

I’ve also considered going further up the tube stage route, looking at Doshi 3.0, Aesthetix IO Eclipse, but I’m hesitant unless I can hear those in place. 

What solid stage phono stages have you loved, and what have you compared them to?

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Showing 4 responses by boothroyd

@thiefoflight 

I don’t currently have balanced outs coming from my tonearm but it is an option.

Not required on the current crop of Loco products although cable type should be considered as previously mentioned.

@thiefoflight 

looking at the Phono Loco and it looks like it requires a balanced input into the stage

Your cables should work fine as they are. Current (no pun) production typically uses RCA inputs.

+1 on the Sutherland Loco or transimpedance phono preamps. The build and specs of your PC1S make it an absolute ideal candidate.

While your tonearm is not mentioned, Clearaudio Tonearms usually have a captive signal cable. Definitely helpful if your tonearm cable utilizes balanced signal construction as coax types typically exhibit increased inductance which impedes current/music flow.

As expected, network phono cables are a definite no for transimpedance performance.

@lewm 

I know a lot of audiophiles break my "rule" by driving transimpedance stages with say a Denon DL103, which has a very high internal R. That's life.

A great excuse for them to consider the upgraded “R” version DL103R (14 vs 40 ohms). Lower impedance equals more current & music in these types of circuits 👍