So, a reviewer just said something I need to talk about.


I will not mention the reviewer, nor the specific equipment being reviewed, but this statement was made, talking about sax and strings: "the strings had real body, and it sounded like real strings being played". The tonality of the instruments was what he/she was talking about. I get this. The tone, the spatiality of the instruments, the stage that was presented. All well and good. What about the engagement between the listener and the musician. I have stated so many times here, ad nauseam, that the most important aspect of music listening, for me (and not enough with other listeners) is the "playing of the instruments". The artistry of the musician behind those strings. I just don’t get it. When I listen to Jeff Beck (RIP), using him as an example, what I am attracted to, FIRST & FOREMOST, is his PLAYING. Reviewers talk about "sound". Most people here talk about "sound". I spend more time now on other sites, that speak about the music playing and, the compositions. For whatever reasons, I seem to be realizing, that A’gon members, as so many reviewers, talk about sound. They very rarely mention MY most important aspect of listening. The musicianship and the compositions. Another rant from me. What are your thoughts on this? How do you listen? What do you listen for/to? What does your system convey to you? I know I am out of line again, but........My best to everyone. Always, MrD.

mrdecibel

Showing 1 response by wolf_garcia

It would be ridiculous to judge any music by sound instead of musicianship. Do people actually do that? When looking at a great painting are some simply noticing a bunch of paint colors secondary to the art quality? Hmmm...Jeff Beck kills me playing any guitar from any period...Strats, Telecasters, Les Pauls...all sounding different but clearly it’s his playing that matters. Great sounding crappy music is still crappy music, well played great music is always great. You could arguably judge a system’s tonal qualities for review purposes with beer guzzler belches you were familiar with, but I’d prefer the Danish String Quartet or Julian Lage, and both are well recorded. Win win.