Slagle AVC Modules & Lightspeed Attenuator


Recently I’ve been fortunate to be in possession of two excellent passive preamps that won’t break the bank, in fact far from it. The following comments are based on some observations I made when listening to and comparing the Slagle Autoformer Modules to the Lightspeed Attenuator. While both are passive preamps, they use different designs. Both were built with separate volume controls per channel. For the Slagle Autoformer Modules this is standard and for the Lightspeed it was a custom feature. The cost for each is approximately $450.

My intent is not to make this so much a review, but to provide some comparative notes for others to use. I have professed my preference for passive preamps many times in these forums and feel in the right system, obviously one that is passive friendly, they are the best choice if one is looking for a simple design that offers a high dose of purity, dynamics, transparency, and neutrality.

The Slagle Autoformer Modules are a joint design between John Chapman of Bent Audio and Dave Slagle of Intact Audio. The design uses autoformers to attenuate the signal, but with a custom board that eliminates the need for excessive wiring. In addition, each module (two are required for stereo operation) uses a unique dual volume switch. The first switch offers 11 steps with 3.75db increments. The second switch provides 3 positions with -1.25db, 0 db, and +1.25db settings. Overall using a combination of the switches attenuation is from +1.25dB to -41.25 dB in 32 steps. For more information on the design go here:

http://intactaudio.com/module.html

The Lightspeed Attenuator is designed by George Stantscheff and is basically a resistive passive design with a twist. The uniqueness of the Lightspeed's design is that there are no contact points in the form of a "wiper", as is the case with other passive designs (resistive and transformer) that use a potentiometer or discrete stepped attenuator. The key components in the Lightspeed Attenuator are Silonex NSL-32SR2 Optocouplers. The optocoupler device is a sealed unit that consists of a high performance LED that shines on a light dependent resistor (LDR) thereby achieving proper attenuation. Since the optocouplers require a power supply the Lightspeed does require the use of a power plug. For more information on the design and how it works go here:

http://www.diyaudio.com/forums/showthread.php?threadid=80194

http://diyaudioprojects.com/Solid/DIY-Lightspeed-Passive-Attenuator/

Optocouplers are not new to preamp designs. If I recall correctly Melos was using them long ago in one of their active preamps and Dartzeel uses them too. Nelson Pass has also published a schematic that uses optocouplers in an active preamp design.

Ever since John Chapman reintroduced the TAP-X passive preamplifier using Dave Slagle's autoformers I've been hoping to try it out. Unfortunately I never got the opportunity, but John did build a couple of Slagle Autofomer Module prototypes (single input, dual output, single ended RCA) to play around with, stuffing them into a Bent Flex chassis, and I was able to get my hands on one of these via John and Dave.

I had already had the Lightspeed Attenuator (single input, single output, single ended RCA) for some time now and compared it to my JRGD Capri active preamp as well as an Audio Consulting Silver Rock TVC. The former comparison was done in my system while the latter was done in a friends system. I have already commented elsewhere in the forums as to how the Lightspeed Attenuator fared against the Audio Consulting Silver Rock, but to reiterate it certainly held its own and in my opinion was slightly more transparent and neutral than the Silver Rock. It just seemed to get out of the way of the music a bit more so than the Silver Rock. Otherwise, price aside, all things were pretty well equal. In comparison to the Capri, the Lightspeed showed that the Capri had a tendency to err on the side of warmth. The Capri provided slightly more punch in the lower frequencies, but all told it wasn't missed much when I swapped the Lightspeed into the system. Both units had excellent top end extension, but I would give a slight edge to the Lightspeed here.

I received the Bent/Slagle Autoformer Modules a few weeks ago. I have been rotating the three preamps in my system since I received it. Over the last week the Capri was removed entirely and the focus was on comparing the Bent/Slagle to the Lightspeed Attenuator. I was hoping that the comparison would be similar to the one I did previously with the Audio Consulting TVC in that it would be pretty evident as to the differences between the components. However, this would not be the case. The Bent/Slagle and Lightspeed Attenuator are very difficult for me to differentiate. They are very close on nearly every level: transparency, neutrality, frequency extension, and noise. Overall, I would have to give the Lightspeed a slight edge over the Bent/Slagle, but there is something seductive about the Bent/Slagle that also makes it an enjoyable piece of equipment and I feel fortunate to have the both.

So there you have it, a couple of passive preamps that are fairly inexpensive and whose performance in my opinion is high end. They’ll be alternating in and out of my system for the near future. Now if I can get a balanced version of each that might make for some more interesting comparisons.
clio09

Showing 21 responses by clio09

BTW - Roger will be addressing the next LA/Orange County Audio Society meeting at Brooks Berdan May 22. I can't wait to hear what he has to say.
There was no gain issue with my use of the Lightspeed with the S-30 I just acquired. However, the S-30 itself is a bit quirky right now.
Well better late than never. I appreciate the comments and information. To update everyone I'm using both in my system simultaneously now. The Lightspeed handles the phono and Slagle the digital. At some point I may send the Slagle out to be rewired as two input/one output. That will make things a bit easier for me.

I think my Slagle modules have the Elma switch. I might investigate the Shallco. With the Lightspeed the design eliminates the volume switch from the equation so a cheap switch can be used with no detriment to the sound.
The more important issue with LDRs is matching. Out of 100, you might be lucky to get half that are closely matched pairs. That's a major reason George does not do balanced designs.
I am actually rewiring a Bent/Slagle AVC right now. It came with single input/two outputs. Switching it around. The new circuit board John and Dave designed makes this real easy. Check out the new models Dave is rolling out:

http://intactaudio.com/atten.html
Paul,

Glad you like it. Now do me a favor and try it with the M-60's for laughs. I've been speaking to Ralph of late and he insists the input sensitivity won't be a problem for a passive preamp. You won't be able to hook it up balanced, but nonetheless give it a shot.
I understand George's reluctance to do more than a single input. You could always try to get a transparent switcher, or just swap cables which is what I do. Yes it is inconvenient, but worth it. I would much rather see George come up with a balanced design.

Also, I did not discover the Lightspeed. It came up on a thread here and I just followed the link to DIY.com and perused through the many many pages on the thread. When I got to the part where Nelson Pass chimed in I knew this was something worth pursuing.
George,

I am considering getting the Atma-sphere amps as well. The one sticking point is that they work best in balanced mode, although they do provide a single ended input as well. So while I understand the reasons very clearly and have read some of the experiences of others who have tried to DIY a balanced design, I still wish a balanced version were available.

BTW - do you remember the name of the OTL amp you heard the Lightspeed with?
There was not a lot of difference in the Lightspeed and Slagle AVC in my system as I noted above. However, the ease at which the music flows with the Lightspeed in the system is quite impressive. It was very obvious versus the Audio Consulting, not so much versus the Slagle, but I believe this contributes to the PRAT that I hear with it, especially with digital music. Analog is off the charts with the Lightspeed. As Pubul57 mentioned, the soundstage holds up quite well versus actives.

Terry, I think for $500 its worth a try. I would be happy to lend you mine as well if you thought it made sense for you to try it. I would be interested in your impressions versus the Concert Fidelity. BTW - Masa-san is sending me the Si2 amp and preamp next week to try out. Should be interesting.
Paul,

I purchased an S-30 so I'm going to give it a go too. Ralph said 2V would be enough, although I may need to use more of the volume control.
Terry,

I just received the other two components in the Silicon Arts Si2 microline today. Masa-san sent me the preamp and amp to evaluate with the DAC that I already had. The preamp in particular is supposed to have trickle down technology from the Concert Fidelity line.

It will be an interesting few weeks coming up to hear all this stuff.
I think Steve might just have the right combination with the VRE-1. He has always been a big proponent of a passive with active buffer. His preamp designs have always been well regarded and his older designs remain in high demand.
I'm in agreement with that and I think George stated as much above. Also, on the 6 input version of the TAP-X John Chapman included a remote controlled buffered output, so depending on source, one could select buffered or non-buffered mode. Now that's flexibility.
That's not a pity, that's why it is so pure and so good. This coming from someone who has to keep swapping cables rather than use an input selector switch, as well as gets most of his exercise adjusting the volume manually;)
Here is your remote controlled Lightspeed. Albeit an optocoupler attenuator with J-FET buffer, and a steep price tag.

Myth Audio
Why limit it to single source. Like I mentioned I just swap the cables when I want to switch sources. A minor inconvenience for great sound.
Please be advised that Pubul57 passed away this earlier year. You may want to go visit the thread he started on the Lightspeed attenuator. I have been using one for a few years now in my single ended system. I pair it with a Music Reference RM-10 amp. I also still have the Slagle and another unit I made with passive parts that produces voltage. So I am still on the passive band wagon for 2012 and Most likely beyond.
Yes he is missed around here. I introduced Paul to the Lightspeed and that was the common denominator that in essence started a very nice friendship between us.
I think there are a couple LDR passive preamps out there with remote and multiple inputs. The names escape me at the moment though.

As for DIYing one perhaps the remote John Chapman sells could be put to use with a Lightspeed type design. Actually this is probably better discussed over in the Lightspeed thread at DIYAudio. Lots of people building them and discussing their projects. I am sure multiple inputs has been addressed but not sure about remote.
Here is some information from the manual:

A couple of do’s and don’ts, the Lightspeed can be left on continuously. When not being used leave the volume control at half volume (12 o’clock), this let’s the LED/LDR packages inside operate at half level, this means instead of them lasting 25 years they will last 50 years.

The Lightspeed uses a double regulated power supply, the wall wart that is supplied is linear 12dc regulated, 300mA centre pin positive, please only use the same and not switch mode wall warts. At 300mA this is enough to drive 6 x Lightspeeds. There is a secondary 5vdc regulated supply within the Lightspeed itself.

Allow the unit at least half an hour to stabilize at half volume before any serious listening when first powered up.

Hope this helps.