Silver-plated or single metal IC's?


With regard to single-ended interconnects (RCA), there seems to be two schools of thought about the merits of silver-plated copper versus single-element conductor (ie. pure silver OR copper etc).
I've been led to believe that Silver-plated cables only benefit very high frequency signals (like video), and not audio. Any opinions?
(I'm nowhere near a store that allows try before you buy, so comparisons would be tricky for me).
carl109

Showing 7 responses by leica_man

Carl,
Don't forget your 5th Golden Rule of Hi-Fi : )

http://forum.audiogon.com/cgi-bin/fr.pl?hbest&1176617023&openusid&zzCarl109&4&5#Carl109\

But seriously if you have access to a telephone then you are as close as you need to be to a dealer who will enable you to try before you buy- call The Cable Company.

Cheers!
Tennis,
Music= "musical"

I get plenty of music through my Tesla cables- I have no idea what you are talking about- sorry.
My cables are all sliver and silver alloy and they are anything but nails on a chalk board- definitely "try before you buy"- good advise.
Dave and Tennis,
Hey guys just click my "System" link. (I agree, advice should be given in context- that's why I have my system linked to my profile : )
Tennis anyone?

In my system the Tesla cables are musical, transparent, detailed, and dynamic with "presence" - much like listening to master tapes in a recording studio. (I've had the good fortune to listen to master tapes in a mastering studio and that's pretty much what my red books sound like to me in my system). They do not however cover my recordings in a rich carmel nor are they subtractive in nature if you know what I mean.

Context as it relates to listener bias is just as importiant as knowing that persons components and speakers.

Mr Tennis wrote:
i like a dull, veiled, laid,back, boring sound capable of putting me to sleep. i hate treble and i don't like detail. i like subtractive coloration to such an extent that all recordings sound the same. you can talk about detail, neutrality all day long.
if you don't tap your foot, it doesn't matter.

i want to relax, not bothered by detail or dynamics. veil the sound and cut off the highs. darkness and dullsville is my motto, by choice. thick caramel syrup makes me happy.

04-10-06

http://forum.audiogon.com/cgi-bin/fr.pl?ddgtl&1144708556&openusid&zzMrtennis&4&5#Mrtennis
Dave_b,
Yes crazy dynamic is one of the major differences between live unamplified music and recorded music- so too is the sense that music is simply emanating in concentric circles from each individual instrument or singer on stage. I do not however always find live music to be smooth in the audiophile sense of the word- far from it. One needs only to listen to a horn section at the symphony to understand what I mean. I find music mirrors life- some days are sunny, comfortable, and beautiful. Others are cold, windy, and brisk. As with life I enjoy a brilliant and diverse pageant and as with life I prefer not to view my surrounds through rose colored glasses.
Dave_b,
Actually from reading your post I do not think we disagree- at least not on live music. I was not implying live un-amplified music sounds cool or lacking in harmonic over tones. My reference to warm and sunny days vs. cool days was merely a metaphor for the vast differences I hear when visiting different venues of live music or listening to different types of instruments. The example of horn sections relates to the mad dynamics I hear in live music and the "bite" they have when heard live. Or an amplified blues band and it's raw and sometimes edgy nature- hardly "audiophile" qualities but when that's the artistes intention, and if that's what's in my recordings, then that's what I want to hear otherwise I'll be throwing out other details, like subtle inflections from a harp, or the reverberant nuances of a live piano.

A light transparent warmth that does not mask detail, nuance, or dynamics and sound staging but allows me to enjoy my extensive music collection is what I seek and get from my current system- previously I had an all Valhalla system that "spotlighted" upper frequencies at the expense of the mid-range and bass. These cables were also harmonically "lean" whereas the new Tesla cables are anything but and yes, they are silver and silver alloy hence throwing my hat into this ring. With the Valhalla's in my system I enjoyed listening to less then half my music collection- a silver cable, and a horse of a different color you might say.

I feel there are just too many variables related to the final sound of a cable to make blanket statements like "silver bad, copper good." Dielectric, geometry and shielding all play their part and it is the final interaction of perhaps dozens of variables that create the net “sound” in any cable. For example, my cables have two completely different "sounds"- one when the active shields are turned "on" and another when they are turned "off." Therefore, it would be a gross over simplification to place the credit or blame on any one variable, like conductor material, dielectric, shielding, etc since we are listening to a net result of all these variables at once when making any definitive conclusions.

I also agree with you on Redbook CD's- how much better our ten year old CD's sound today when played in a system with modern digital playback and cables compared to ten years ago.