Sibelius Sym/Sakari/IcelandSO/Recommendation


Finnish conductor Petri Sakari has conducted all 7 Sibelius sym's with the very highly talented Iceland S.O. Just listen to the opening to sym #4, that alone is worth the purchase. That same fine conducting, orchestral and soloist performance is throughout the entire 7 symphonies. Upon some comparisions of Barbirolli (second recording), Segerstam, Sanderling, I found the Halle with Barbirolli to offer great enjoyment. Barbirolli's recording I would describe as "mystical" in nature, not to be fully comprehended no matter how many times you listen to them, always something unique to hear, again due to the high talents of the soloists. The 1960's Halle must have had well seasoned "old-timers" from the Halle's early days. With the Barbirolli set you get various other well performed incidential music, tone poems, all a must to own as well. Onto Sakari/Iceland's recording. Sakari's tempo brings an exciting vitaltiy to these symphonies, and the Iceland does not let him down, with a sense of organic unity and intergration. With this Naxos set you get the Tempest 1&2, as well an excellent recording of the Kullervo with Panula/Turka P.O. On the Sakari/Iceland recording on Chandos of Pohjola's Daughter and Ensaga, there is some problems here. Barbirolli's Pohjola is again a must to hear. I place both recordings in the "must-have" category.
tweekerman

Showing 4 responses by tweekerman

Sakari/Iceland on Naxos. Sakari knows how to take the tempo and pauses, the band follows Sakari's lead, all play with excellent tone and skill(no sour soloists). This Naxos recording really suprised me. I'm enamored with Sibelius music, and collect the sym. cycles, Berglund/Helsinki, Sanderling/Berlin, Segerstam/Danish. Barbirolli has some fantastic soloists, the pauses and tempo is not as tight as Sakari's, but still holds together in a wholesome musical image. Sakri's lack the polished soloists, but the tempo and pauses are pefect and offers a transparency, in other words the orchestra "disappears", leaving only the music to listen to. I "hear" (notice, whatever you call it)too much of the orchestra with the Berlin, Danish.(due to soloists, tempo, pauses too long, short). Though Berglund does offer a tight orchestra and tempo, the timings on most of the 7 syms are way too short.??? (cannot highly recommend Sakari/Iceland's Chandos recording)
I've heard that description of Barbirolli's approach to Sibelius, romantic, with a negative connatation. Over "sentimental" could we say? Maybe, but I'm a romantist at heart. And just for the superb orchestra, the Halle, its worth the buy. Sibelius sym's have deep emotional passages, and some conductors/orchestras try very hard to draw forth the feeling, but lack of highly articulate orchestral members, the recording falls short. The Halle has an overflow of talent, and Barbirolli uses this abudance to shape a Sibelius sound that pentrates deep. Did not like Berglund's Chamber Orchestra of Europe at all. Vanski/Lahti does not offer anything new for me. Tempos and solosists are not up to Sakari's understanding. From the few takes I've listened to of Segerstam's new recording with the Helsinki, again I believe I hear an over-straining, a forcing effect, I don't hear this with the Barbirolli and especially with the natural flow of Sakari's approach. I'll give the new Segerstam a further review, the above are only first impressions.
I believe Baxter did so. Said he felt the Iceland, though good, did not offer the "big-band finesse" like the Berlin, and other major orchestras. Have to say alot of other recordings keep me within the concert hall, whereas with the Iceland I feel transported to the "Land of Sibelius", place and time lose their presence. Like all folk composers, especially with Grieg, Dvorak, the music should not have the "refined"(concert-hall) sound that Baxter mentioned. One should "see the land and sense the air".
Make sure you get the second recording by Barbirolli/Halle, its around $50. You get the 7 sym's + some other great works, well worth the money.