Should I buy a Class A Amp.


I would Love to buy a Class A Amp. I have a Sony Tan-80ES Amp right now and I have had it for 19 yrs. To me it sounds Great but I am curious about Class A Amps. Do they really sound better? I am looking at a Krell KSA 200 Amp right now for $2000.00. It is older then my Sony. Is this too much for such an old Amp? Would Love to hear members thoughts on this.  

Blessings, ..........Don.
donplatt

Showing 3 responses by atmasphere

Could it be said that Class A amps, like Pass for example, play better on certain types of music? Better classical than rock, for instance?
As mentioned earlier, no.

The idea that an amp can be better at one form of music as opposed to another is one of the bigger audio myths out there.
Could it be said that Class A amps, like Pass for example, play better on certain types of music? Better classical than rock, for instance?
Not really. The requirements of an amplifier do not vary according to the music. As I said before, the idea that an amplifier can be suited better for a certain type of music is a myth. From a designer's point of view there is no way to approach that.

Even if you have a tiny SET power amp, if set up correctly it will not favor a certain form of music. You might find if its not set up correctly (the usual problem being that the loudspeaker lacks the efficiency needed to really allow the amp to sing) that it might seem to favor less dynamic material. But that would be simply because of power limitation and not because the music was classical or jazz as opposed to rock. Rock can be quiet and delicate too.

The fact of the matter is people express taste in music and electronics do not as electronics don't have a brain and can't express taste like humans.

when you get down to the slightly compromised amps there are trade-offs that mean some are better at rock than others. Bass and PRAT are essential for rock and some amps just don't deliver because they have other priorities.
Bass and PRAT are essential for classical and jazz too- that is something universal. Now some amps have colorations- for example transistors can be bright. That does not help rock any more than it helps classical or jazz or folk. Tube amps can be overly rich. That does not help rock any more that it helps classical or jazz or folk. 

The only exception I can think of is actual instrument amplifiers like a Marshall or Fender, where the character of the amplifier becomes part of the 'sound' that a guitarist is trying to create (often with the assistance of effects pedals). As audiophiles we are simply playing recordings of such, so that really does not seem to apply here.

This particular myth dies really hard BTW. But it is a myth! Amplifiers are designed with mathematical formulas which are not capable of expressing musical taste. If I can put this in perspective, someone asked on this website once if there was a speaker that favored mid1980s downtempo music. You might not really get what that might be (early Clan of Xymox?? Stuff on the 4AD label??); how in the heck are the electronics going to favor that over something a little more up tempo or recorded a few years earlier or later??

The answer obviously is they can't. In all cases you just get the best combination of electronics you can afford and hopefully it all is matched well enough that you can enjoy listening to it for some years.
My amp sounds better with some types of music than others.

I base my findings on empirical evidence and what I hear, not on theory.
I would regard this statement as 100% correct and inviable- I can say exactly the same thing about my stereo. Some music is really well recorded and its going to sound better.

I am also dead certain that I can find examples of recordings in genres that your amp does not seem to favor that would easily demonstrate that your amp can do fine with them too. Conversely, I'm also dead certain that I can find recordings in the genres your amp seems to favor that it would not do well with at all.

What this comes down to is the recording itself and the taste of the listener. Some recordings are bright- bright amps likely won't work so well with that unless the listener prefers brightness (Harry Pearson of TAS had a tendency in that direction). Some are bass shy; boomy systems might work fine with that. Some have seemingly way too much bass (not sure how that could possibly happen but I play bass) and bass-shy systems might work fine with that. Along the way a person might become convinced that their equipment is favoring a certain genre but what is really happening is its favoring a coloration that happens to exist in a number of recording in their collection. Some of those colorations might be more common in certain genres- for example rock is often bright and maybe not the best bass, but that by no means says that all rock is poorly recorded!