SET amps and speaker sensitivity.


Hi there. Just for the aspect of learning and future knowledge, can a host of folks explain how to match SET amps like for example, the Lamm ML2.1's to speaker sensitivity.

We can even get away from the Lamms, really any SET amp. How do you match those to speaker sensitivity and what is the relationship between the two? What dB level is considered "sensitive."

Just curious and always wanting to learn!

Cheers,
Peter
mariasplunge

Showing 1 response by atmasphere

SET- Single-Ended Triode amplifiers are a special class of tube amplifier. They are all class A. Usually the circuits are quite simple- the meat of it is the output transformer, which transforms the impedance of the output tube to that of the speaker.

Since there is usually no feedback, the amps are best off driving speakers that have a benign (flat) impedance curve, failing that at least a curve that has more high impedances than low as the amp will attempt to make constant power into higher impedances. Having no feedback means less in the way of high frequency sheen or hardness.

SETs are *particularly* good at low distortion at low power levels. Unlike regular push-pull tube amps and transistors, the lower the power the less distortion- so you get a lot more low level detail. This comes at a price- low total power output and often limited bandwidth. To really appreciate what they do, high efficiency speakers (97+ db) are *mandatory*! -so that the amp is able to work in the low distortion region of its envelope.

If you use lower efficiency speakers you simply will not realize the benefits of SET unless you have a very small room/nearfield situation or the like.

Due to the nature of the bandwidth issue associated with the output transformer, the smaller you make the amp the better they sound. 15 years ago the 300b was the insider story- 7-8 years ago the 2A3. Today its the 45- only good for 0.75 watts (in truth...). So to take advantage of such low powers a speaker of 103 db or more is recommended.