I prefer less feedback. I've owned amps that had adjustable feedback and they always sounded more musical with zero feedback.
This assumes that you have a reasonable power match between your amp and your speakers. If you don't, then a little feedback may sound like it provides greater control, but it will come at the expense of transparency, harmonics and tone. I prefer to correct the amp and speaker mismatch before I compensate by adding feedback.
In systems where big punch and power are desired more than sublety, I've heard push pull amps that I liked using up to about 6db of feedback. Any more than about 6db of feedback in any amp dampens harmonics and transparency too much for me. An example of an amp using about that much feedback that is very musical is the Tom Evans Linear A. Still, when compared to an excellent zero feedback amp, one gives up some harmonics, decay and transparency.
In short, I don't think an SET amp with more than 5db feedback is a "good thing" and I believe less is better.
This assumes that you have a reasonable power match between your amp and your speakers. If you don't, then a little feedback may sound like it provides greater control, but it will come at the expense of transparency, harmonics and tone. I prefer to correct the amp and speaker mismatch before I compensate by adding feedback.
In systems where big punch and power are desired more than sublety, I've heard push pull amps that I liked using up to about 6db of feedback. Any more than about 6db of feedback in any amp dampens harmonics and transparency too much for me. An example of an amp using about that much feedback that is very musical is the Tom Evans Linear A. Still, when compared to an excellent zero feedback amp, one gives up some harmonics, decay and transparency.
In short, I don't think an SET amp with more than 5db feedback is a "good thing" and I believe less is better.