Separate subs for music and HT/surround


My stereo setup is comprised of Ayre 5/20 series digital hub, preamp and amp that drive KEF Ref 1s through a passive Marchand high-pass filter. For HT and surround, LR side and rear surround from an SP3 go to NAD Class D amps that drive LS50s. The SP3 receives HDMI from an Ayre DX-5 DSD, and its front LR output goes to a balanced by-pass input of the KX-5/20. I have two Velodyne SMS-1 bass managers that provide acoustic room correction, two HGS-10 subs, and two HGS-15 subs.

Question: Should I use one SMS-1 with the two HGS-10s for stereo and the other SMS-1 with the two HGS-15s for HT and surround music? I realize there are advocates for using 4 subs, and I could daisy-chain the SMS-1s, but separating the SMS-1s seems a neat way to keep stereo separate from HT.

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Showing 1 response by cleeds

noble100
... Run all four subs in mono because none of your music recordings were recorded with stereo bass below about 100 Hz anyway, they all have the bass summed to mono.
We’ve been through this before, and you’ve been provided with authoritative references to dispel your notion that all LF is monophonic/non-directional. I’m not sure why you choose to reject the science on the directionality of LF. In particular, 100 hZ is not especially low bass, and it pretty easily localizeable.

That many recordings have mono bass certainly doesn’t mean that all recordings have mono bass, as Richard Vandersteen noted.

Of course, if you connect your system so that all bass is mono, then it will not allow you the benefit of stereo bass. And mono bass can sound very, very good, especially in some rooms. Perhaps that’s the source of your confusion.