Czarivey, your post makes no sense. The SL-1600mk2 / SL-1700mk2 / SL-1800mk2 have both rubber/felt feet and a spring suspended tonearm and platter. That is vastly superior to the hunk of rubber that the SL-1200mk2 sits on in terms of sound and shock isolation.
The auto-return mechanism is robust and uses optical sensors, so it presents zero drag on the tonearm.
The only thing about the SL-1200mk2 that is redeeming is the basic accuracy and stability of the drive motor and tonearm bearings, which it inherited from the SL-1600mk2 / SL-1700mk2 / SL-1800mk2.
If there is a criticism to be made about the SL-1600mk2 / SL-1700mk2 / SL-1800mk2, it is that leveling the suspension requires some patience. On the other hand, the SL-1200mk2 is so simple that even a rapper can use it.
The auto-return mechanism is robust and uses optical sensors, so it presents zero drag on the tonearm.
The only thing about the SL-1200mk2 that is redeeming is the basic accuracy and stability of the drive motor and tonearm bearings, which it inherited from the SL-1600mk2 / SL-1700mk2 / SL-1800mk2.
If there is a criticism to be made about the SL-1600mk2 / SL-1700mk2 / SL-1800mk2, it is that leveling the suspension requires some patience. On the other hand, the SL-1200mk2 is so simple that even a rapper can use it.