Rock Music: 1951-1976 vs. 1977-2003


There have been a number of posts recently where people have voiced opinions about how much better music was back when "Star Trek" was in it's original run. This is a post intended to examine the issue in a little more detail.

Let's say rock & roll started in 1951 with "Rocket 88" and has evolved continously through the present day. That's 52 years of 4/4 music with a heavy backbeat and it puts the midpoint at about 1977, or the start of the punk/new wave sound. My question is which of these two periods produced the best music. Voice your opinion and explain why.
128x128onhwy61

Showing 2 responses by onhwy61

I think Clueless is onto something with his hormonal imbalance comment. Music just seems more important when you're a teen/young adult. I think that whatever music you're exposed to during these formative years becomes imprinted on the brain. My age is such that the pre-1977 music is what has been imprinted, but that just means I like the music more, not that it's in any way actually better than post-1977 rock.

It's my observation that over the years rock music has alternated between periods of simple and complex music. The earliest rock was heavily R&B based with tinges of jazz (Johnny Otis, Ike Turner, etc.). It was relatively complex music to play. Chuck Berry, Buddy Holly and others (doo-wop vocal groups) simplified this music to the point where, quite literally, any reasonably talented kid could pick up a guitar and play their songs. But within a few years the music become complex again. The early sixties witnessed Phil Specter's wall of sound. Lavish arrangements with full horn and string sections performed by top level studio musicians. The British invasion represented a return to a relatively simple musical form. A few years later rock becomes complex again with art rock groups (Yes, King Crimson) and disco. YES, disco is complex. If you doubt me, listen to Donna Summer's "MacArthur Park", or better yet get a guitar or bass and try to play anything by Chic. Three chord music it ain't. Punk & rap are obvious returns to simplistic music. You still needed talent to produce music, but punk & rap allowed relatively unskilled musicians to make music. By the mid to late 80s the music was still somewhat simplistic, but the skill level required to make it was quite high with the guitar pyrotechnics of Van Halen, Anthrax, Metallica and Steve Vai dominating. The grunge sound brought the musicianship back to a more humanly manageable level. The boy/girl bands and urban R&B sounds that followed are examples of complex music. It may sound simple, but it's a heavily produced music that requires a substantial level of musical skill to play.

At its core rock has been a very democratic music. The people producing the music are not that different than the people listening. Whenever it appears that the two groups greatly diverge, then the music returns to a simpler, more easily played/produced form. I think this is how rock is able to periodically reinvent itself. I can't imagine that any of rock's early pioneers could have envisioned the music lasting for fifty years.
It's not that simple. Just from my limited music collection I consider the following artist as significant post-1976 artist:

10,000 Maniacs, ABC, The Blasters, Joan Armatrading, Aztec Camera, David & David (Baerwald & Ricketts), Erykah Badu, Beastie Boys, Beck, Big Audio Dynamite, Bjork, Blue Nile, Blue Rodeo, Kate Bush, Cardigans, Chemical Brothers, The Clash, Concrete Blonde, Elvis Costello, Cowboy Junkies, Cranberries, Robert Cray, Marshall Crenshaw, Sheryl Crow, Curve, Dinosaur Jr., Dire Straits, Duran Duran, Elastica, English Beat, Eurythmics, Donald Fagen/Walter Becker, Feelies, Bryan Ferry, Parliment/Funkadelics, Gang Of Four, Robert Gordon, Guns 'n Roses, PJ Harvey, Heaven 17, John Hiatt, Micheal Jackson, Jane's Addiction, Jayhawks, Marti Jones/Don Dixon, Rickie Lee Jones, k.d. lang, Living Colour, Los Lobos, Lyle Lovett, Lush, Massive Attack, Sarah McLachlin, Metallica, Nirvana, Oasis, Robert Palmer, Graham Parker, The Police, Pretenders, Prince, Public Enemy, R.E.M., Robbie Robertson, Sade, Steel Pulse, Stereolab, Sundays, Swing Out Sister, Talking Heads, Tears For Fears, Television, Tony Toni Tone, U2, UB40 and Van Halen.

I think that based upon their recorded output these groups match up quite well talent-wise with anything produced pre-1977.