Plato makes a good point: the sound of the Apollo definitely improves with age. It sounds okay out of the box, really good after a couple of weeks, but mine took about four months to show itself to its best advantage. I was catching some occasional sibilance as well (more than I had been experiencing with my old Alpha DAC), but break-in and moving to a 100% copper from a silver/copper interconnect has largely fixed that. And I love listening to Dave Alvin's King of California CD on the Apollo -- plenty of detail and slam.
Review: Rega Apollo CD Player
Category: Digital
I lost my power today, Ice storm on MLK Day here in Michigan. I had just purchased a Musical Fidelity A5 CDR and was looking forward to relaxing and enjoying it for the day. Without power, I thought the only thing I was going to hear was my, and the neighbors, generators running. Decided to get out of the house and ventured into Ann Arbor to Overture Audio, the grooviest stereo shop I know of in the area. Explained my power issue with them and they were kind enough to let me sit in their smaller room and play with a Rega Apollo CDP connected to a Arcam A80 (or A90, I didn't have my glasses) and Linn Ninka Speakers.
First let me say that Rega is on to something here, the Apollo seems to have the ability to strip away the digital glare or haze that you don't really notice unless you compare digital to analog. The player really lets the rhythm instruments come up in the mix. I heard instruments I had never heard before while listening to Dave Alvin's 'Blackjack' CD, I heard piano I had never noticed before in Diana Krall's 'Girl In The Other Room', same with the Tom Waits CD, I had never enjoyed 'Get Behind the Mule' more than this afternoon. It was a magnificently enjoyable hour or ninety minutes with someone else's stereo!
Unfortunately I also noticed that the Rega Apollo also seems to accentuate the "S" in female vocals. I believe it may be called silibence. The "S" sound was so exaggerated that it sounded like the sound was stuck between the tweeters for an extended period as compared to the other sounds. I compared several songs using a Arcam CD73 and the Apollo. The extended S noise was defiantly in the Apollo CDR and not in the CD73..
Has anyone else noticed this? As much as I enjoyed the Apollo's PRAT I couldn't get around the silibence in the S's. I also noticed the cymbal's ringing more than I believe is normal.
As much as I liked being able to experience a new CDP, I was somewhat disappointed in this aspect of the sound reproduction.
Thanks to Overture in Ann Arbor for being the kind of store that lets a unwashed, smelly (no power no water) potential customer play with their stereo's without any inkling of a hard sell. I love that store!
Associated gear
Linn Ninka speakers, Arcam A80 Intergated, Arcam Cd73 CDP.
I lost my power today, Ice storm on MLK Day here in Michigan. I had just purchased a Musical Fidelity A5 CDR and was looking forward to relaxing and enjoying it for the day. Without power, I thought the only thing I was going to hear was my, and the neighbors, generators running. Decided to get out of the house and ventured into Ann Arbor to Overture Audio, the grooviest stereo shop I know of in the area. Explained my power issue with them and they were kind enough to let me sit in their smaller room and play with a Rega Apollo CDP connected to a Arcam A80 (or A90, I didn't have my glasses) and Linn Ninka Speakers.
First let me say that Rega is on to something here, the Apollo seems to have the ability to strip away the digital glare or haze that you don't really notice unless you compare digital to analog. The player really lets the rhythm instruments come up in the mix. I heard instruments I had never heard before while listening to Dave Alvin's 'Blackjack' CD, I heard piano I had never noticed before in Diana Krall's 'Girl In The Other Room', same with the Tom Waits CD, I had never enjoyed 'Get Behind the Mule' more than this afternoon. It was a magnificently enjoyable hour or ninety minutes with someone else's stereo!
Unfortunately I also noticed that the Rega Apollo also seems to accentuate the "S" in female vocals. I believe it may be called silibence. The "S" sound was so exaggerated that it sounded like the sound was stuck between the tweeters for an extended period as compared to the other sounds. I compared several songs using a Arcam CD73 and the Apollo. The extended S noise was defiantly in the Apollo CDR and not in the CD73..
Has anyone else noticed this? As much as I enjoyed the Apollo's PRAT I couldn't get around the silibence in the S's. I also noticed the cymbal's ringing more than I believe is normal.
As much as I liked being able to experience a new CDP, I was somewhat disappointed in this aspect of the sound reproduction.
Thanks to Overture in Ann Arbor for being the kind of store that lets a unwashed, smelly (no power no water) potential customer play with their stereo's without any inkling of a hard sell. I love that store!
Associated gear
Linn Ninka speakers, Arcam A80 Intergated, Arcam Cd73 CDP.
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- 14 posts total
- 14 posts total