Review of the SMARTractor and SMARTstylus


I mounted an AudioTechnica VM95ML on the Sota for it's new owner using these tools for the first time.

The Acoustical Systems SMARTractor: On taking the unit out of it's box you immediately get the feeling you are dealing with a fine precision instrument. Construction quality is through the roof. It is child's play to set it up. The only kink I ran into. It was very difficult to push the locator pin (points to the vertical axis of the horizontal bearing) through the beam. I had to tap it with a small hammer. The grub screw was backed way out. The nylon plunger used to prevent marring the stainless steel was a very tight fit. 
You set the alignment by removing the pillar's locating screw then twist the pillar lining the index mark with the line labeled  with the alignment you want. I chose Lofgren B. You the place it on the platter which you should lock in place, line up the locator pin with the horizontal bearing and lock the beam in place. The Syrinx made this easy as it has a perfect dimple right over the horizontal axis. Next you place the magnifier in it's bracket and line it up with the Lofgren B grid. The grid lines are super fine and close together. They literally light up on the mirrored surface. Super easy to see.
You line up the cross hair with the targeting grid on the mirror. This puts your sight line right down the cantilever and boy does it work! The magnifier makes it darn easy for old eyes to line things up perfectly. 

Now for the SMARTstylus. This is just a piece of plexy with four sets of grid lines, vertical, horizontal and SRA, and VTA. It comes with it's own hand held magnifier. It looks well made. It is also close to worthless with an offset arm that has a permanent finger lift. Both the offset and the finger lift keep you from getting it close enough and angled correctly to the cantilever. I will try it again with the Schroder which does not have a finger lift. 

In short, the SMARTractor is a brilliant, well thought out devise manufactured to the highest standard. It is handily the most accurate, easiest to use cartridge alignment tool I have ever used. Is it worth $700? I have to say that if you love vinyl and want to be sure your cartridge is dead on, Yes absolutely. On the other hand at this time I have to say that the SMARTstylus is a waste of money. The VM95ML? Darn! It punches way above it's price point. It is handily the best sounding under $200 cartridge I have ever used. It is neutral, tracks well and is very quiet. It is as quiet as my $2000 Charisma. If you are after a MM cartridge in this price range you can not go wrong. You can be perfectly comfortable buying it blind.  

Hope this helps people,
Mike

128x128mijostyn

Showing 2 responses by lewm

Raul, you wrote in response to my post about the consequences of P2S error, "You are not only been extremely dramatical but ’out of game’, you are wrong and your statement about the null points is totally false."

First, thank you for your constant monitoring of my posts. It is good to know that if you do not criticize one of my posts, I must have been correct. However, I was surprised that your reaction to this last post was so vehement, since I consider you to be among the most orthodox, when it comes to tonearm/cartridge alignment. You have in the past been inclined to advocate absolute accuracy uber alles, and you are positively apoplectic with anger whenever anyone is bold enough to suggest that Stevenson alignment is an acceptable choice, even if one owns a plethora of LPs that have inner grooves that encroach the label.
Second, in this case, when you say that the null points don’t change whether the P2S is set at 252mm or even up to 300mm, are you running your numbers through one of the on-line calculators or your own calculator? Either way, that approach would ameliorate the problem I was trying to highlight. Such calculations would generally include changing headshell offset angle and/or overhang to keep the null points on the surface of the LP. Because my point was based on a situation where you err in P2S, but you don’t know you made the error, and you proceed to select the other mounting parameters on the assumption that you have correctly set P2S at 250mm. I am being intellectually lazy here, because I have not done the math myself, but it does seem you could by making that sort of error, end up with at least one of two null points entirely off the playing surface of an LP (maybe not both null points). Perhaps I did exaggerate or was "extremely dramatical" in saying you might end up losing both null points. I still could be wrong, but never am I "false". I was really responding to that old nihilist, MC, who takes pleasure in pretending he knows all the answers and that none of the answers are important.
So why did I make such a statement without doing the math, besides the fact that I hate trigonometry? I just guessed. The null points are points on the radius of a circle that has its center at the pivot point. As the center of that circle approaches the center of the circle that has its center at the spindle, then those null points get closer together on the surface of the LP, assuming you change NOTHING else. Conversely, as the centers of the two intersecting circles (P2S) get farther apart, the null points would get farther apart. As the null points get farther apart, eventually, at some P2S distance at least one and eventually both null points would "fall off" the playing surface of the LP. Probably no one of us would ever make such a large error in P2S so as to completely lose one or both null points, I grant you that.
MC, If you make an error locating the pivot point while setting P2S distance, it is quite possible to end up with only one null point on the playing surface of a typical LP, or none at all.  Plus it could exacerbate tracking angle errors that occur at every other point on the LP surface.  If we care about tracking angle error, which is the whole point of set-up, that would not be good.  You make a practice of pooh-pooing anal behaviors of audiophiles, which is sometimes amusing but not always a valid criticism of "our" behavior.