Rega Exact on a Rega P5 - opinions?


I'd like to hear from anyone who has had experience with the Rega Exact cartridge and how it compares to other similar MM cartridges like the Goldring 1042. The Exact was $350 - so that's the price range I'm working in.

Since the RB-700 on the P5 uses the newer arm mounting system, I'd prefer not to use anything that requires VTA adjustment unless it's a cartridge that's going to yield me much greater results than the Exact does at a similar price point.

Thanks in advance for any input - there's an astonishingly sparse amount of information here, or anywhere else for that matter, on the Exact cartridge. I did find one review from 2003 on the Stereo Times site, but that's it.

FYI - the P5 is feeding mostly classic rock lp's into a Musical Fidelity A300 integrated via the A300's built in phono section and on to Von Schweikert VR-1 monitors.
slate1

Showing 5 responses by slate1

Thanks - yes, I've been able to find the 1042 for around $300 or so and the Exact around $350. I guess I'm just curious as to how it would compare to the Exact and if it would really be an "upgrade".

I'd also be faced with purchasing spacers for the RB-700 in order to get the VTA correct with the 1042. I've not seen any VTA adjustment options for the RB-700 short of the Rega OEM spacers due to the new mounting system.
Thanks again for all the responses.

Seandtaylor99: Actually I've found the VR-1's to be a good match to the Musical Fidelity. The A300's top end is anything but bright and is actually been noted to be a bit too subtle for some listeners. I found this to be the case with other speakers I tried that had a more "laid back" treble response.

The RB700 tonearm on the P5 has a totally different arm-mounting system than prior Rega tonearms - it's got a triangle shaped flange at the base of the arm that screws to the plinth at 3 points. Rega's attempt at keeping all the aftermarket modifications in check I suppose.

Creativepart: Thanks so much for your response, it's been most helpful. I've read some great things about the Denon DL103R cartridge. I've never used a MC cartridge before and am sure I'd need to also purchase a transformer to boost the signal. Any suggestions on that? Here are the specs from the phonostage on the A300 integrated:

Input sensitivity (MM input) 3.5mV
Input sensitivity (MC inputs) 350uV
S/N Ratio (MM) > 78dB ‘A’ weighted (Ref 1W)
82dB ‘A’ weighted (Ref 150W)
S/N Ratio (MC) > 70dB ‘A’ weighted (Ref 1W)
73dB ‘A’ weighted (Ref 150W)

Thanks again everyone - I'm getting some great information here!
Sunsetsuperman: Ooops, forgot to respond to your suggestions! Sorry about that. I really like the Grado's sound but had a horrible time with hum on my old P3 when I had it set up with the Grado Reference - not something I want to revisit. Do you know if the Clearaudio carts would require VTA adjustment on the Rega?
Well - I ended up trying out a Goldring 1042 and a Rega Exact. I can honestly say that I much prefer the Rega Exact. Maybe it's just my system, but it sounds great through the P5, Musical Fidelity A300, and the Von Schwiekert VR-1's! I couldn't be happier.
Okay - I've got a new problem! I'm fairly certain that the Exact is overloading the phono stage in my A300. The Exact puts out 6.4 - 7.2mv which is insanely high and the phono stage is rated at 3.5 although they don't state the overload point.

On some really dynamic passages I'm getting some audible distortion that I can only presume would be the phono stage being overloaded. It's not the amp - I'm not at high volumes and ther's no way the MF A300 is running out of juice.

Would a good way to test if it's just in the recording be to hook the TT up to one of the line level inputs? Those are rated for 300mv so I know I wouldn't be overloading them - I'd have to turn it up to hear, but at least I'd be able to determine if it's in the recording or if it's an overload clip - right?