REF 3 In My System?


I was just offered a great opportunity on an ARC Ref 3. I had an LS-26 at one point and loved it and always wondered what the Ref 3 was all about. This is a great chance to scratch that itch. I'm wondering, from an impedance matching perspective, how it might work in my system. The ARCDB lists the specs for the Ref 3 as having an input impedance of 120K Bal/300K SE (I would be using SE inputs) and the output impedance as 600ohms Bal/300ohms SE (I would be using balanced outs). My amp is the Modwright KWA150, my CD player an Esoteric X-03se and my phonostage the Herron VTPH-2. I don't have the stats on the Modwright handy but the Herron has an output impedance of 500ohms. Not sure how Ref 3 would be "viewed" by my other components. Can anyone offer advice? Anyone use the Ref 3 in concert with the Modwright or Herron products?

I've got to move pretty quickly.....
dodgealum

Showing 3 responses by onhwy61

What's the advantage of using tubes if the product sounds like a solid state design. I'm assuming there is a real advantage.
Cmalak, good explanation, but I wasn't thinking about old style tubey sound. I'm thinking along the line of something Tim da Paravinici may have said about how he could get tubes to sound like solid state and vice versa. My perception is that tubes, even in preamps, require more attention from a user than equivalent solid state designs. When designers try to remove the added maintenance of tubes they end up with complex designs that defeats one of the main advantages, at least in my eyes, of tubes which is circuit simplicity. Added complexity leads to increased costs. Here I'm thinking of the recent ARC or VTL designs.

In the back of my mind I'm wondering whether some tube manufacturers really want to make solid state designs, but customer resistance limits their flexibility. With electric guitarist, who as a group never abandoned tubes and are more responsible for the continuance of tube production than audiophiles, they want to "hear" the tube. The tube is an effect processor that they purposely use to create a "sound". Tubes are also very common on the pro audio engineering side. There too the users want to hear the tube effect of added spaciousness, smooth highs and a nice breakup characteristic when driven hard. I also would place audiophiles in that group of people who want to hear the tube. I see it in the extensive tube rolling activity and the advocacy of specific tubes as sounding better than others.

Although I'm a little suspicious, I'm not convinced it's purely a marketing driven thing and I'm just wondering what engineering reasons a manufacturer would pick tubes over equivalent solid state designs if in the end they both sound the same.