Just because someone has a preference for one source over another doesn't mean the preferred source is a more accurate reproduction of the music. Tape decks are well know for adding a gentle compression to the signal which can be interpreted as added warmth or even making the sound "bigger". It's distortion and in some cases that distortion is quite pleasant. Not accurate, put pleasant.
Reel to Reel decks
Is anyone out there using reel to reels anymore? I remember at one time(30 years ago), they were probably some of the best analog reproduction equipment out there. Of course, it doesn't matter much if you can't buy good prerecorded tapes. I've googled prerecorded tapes, but haven't found much out there. Anyone have a good source? Also, can anyone recommend a good deck?
Showing 3 responses by onhwy61
Dopogue, if you don't know about the compression effect of tape heads, then you should read some of the following: A tech explanation A discussion of the variables involved Tape compression can sound so good that several companies make effect processors to emulate the sound. Check out Crane Song, Rupert Neve or Empirical Lab's Fatso. |
If the best sound quality is the primary objective, then I agree you should keep the recording purely analog throughout the recording/manufacturing process. It will sound better. However, if the objective is best quality music, then keeping it pure can actually limit the artistic flexibility of the musician/engineer/producer. I think most people favor flexibility over purity and are only trying to achieve good to very good, not great, quality sound. |