Real or Surreal. Do you throw accuracy out the window for "better" sound?


I visited a friend recently who has an estimated $150,000 system. At first listen it sounded wonderful, airy, hyper detailed, with an excellent well delineated image, an audiophile's dream. Then we put on a jazz quartet album I am extremely familiar with, an excellent recording from the analog days. There was something wrong. On closing my eyes it stood out immediately. The cymbals were way out in front of everything. The drummer would have needed at least 10 foot arms to get to them. I had him put on a female vocalist I know and sure enough there was sibilance with her voice, same with violins. These are all signs that the systems frequency response is sloped upwards as the frequency rises resulting in more air and detail.  This is a system that sounds right at low volumes except my friend listens with gusto. This is like someone who watches TV with the color controls all the way up. 

I have always tried to recreate the live performance. Admittedly, this might not result in the most attractive sound. Most systems are seriously compromised in terms of bass power and output. Maybe this is a way of compensating. 

There is no right or wrong. This is purely a matter of preference accuracy be damn.  What would you rather, real or surreal?

128x128mijostyn

Showing 1 response by treepmeyer

This seems to be a continuation of a recent thread on a "French" sound.  Isn't hyper-detail another equipment design aesthetic?  It's not my cup of tea, but it certainly seems to be a design goal valued by some manufacturers and their customers.  They appear to have gotten quite successful in achieving the design goals, too.

If one accepts hyper-detail as a design aesthetic, then it can't be "wrong."  For example, I don't think much of Cubism, but it's a valid artistic aesthetic.  In the audio world, however, some hold natural reproduction as a non-relative gold standard.  I suppose that it is at least feasible to set up a blind a/b test for someone with good ears in Orchestra Hall in Chicago.  With a suitable high-end system, could they distinguish which was the real thing and which the reproduction?  With a really good system, maybe not.  However, as @mahgister points out, even if the audio system passes this acid test once you take it out of Orchestra Hall all bets are off.

My search is for equipment designers who have a certain approach or goals that I share.  Along the way I hope to discover the alternatives - most of which I will reject but not disparage.  Finding the right ones for me will be very rewarding.