Question for Rowland aficionados


I've been playing with an old Rowland Model One. In my system, it sounds dark and closed in on top, a bit grainy, but it also reproduces the most extraordinary intrumental tone, so lifelike that it oftens fools me in the "that sounds just like a real saxophone" way. My Pass 150 never does this, nor does my CJ 11a (to the same extent that the Rowland does). This could be just great system synergy that's going on, but I'm betting it's a characteristic of the Rowland.

So here's my question: is this a quality of other Rowland amps? As the line has evolved since the Model One, how has the sound changed? I want that lifelike tone with, of course, a bit more extension on top and so forth.

I might as well also ask: which other amplifiers (other brands) do you think can deliver this uncanny lifelike quality?

-Dan
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Showing 1 response by onhwy61

For several years I had a Model 1 and thought it was a wonderful amp, but I then auditioned a Pass Aleph 5 and suddenly the Rowland wasn't so satisfying. To some extent it's just a question of personal taste. The Rowland is a very good product, particularly at it's current used price (around $1,100). What you describe as instrumental tone I would describe as a coloration. For some types of music it's very, very positive and for others it's a slightly veiling of the sound. To the amp' s credit I never thought of this characteristic as amusical. By comparison the Pass offered a far clearer picture of the music with much less of a sonic signature. At the time I used the Model 1 with Monitor Audio Studio 20s, Rowland Coherence II (the original) and the Well Tempered TT.

I'm currently using a Rowland Concentra (version 1) and a Model 112. They are much less closed in sounding at the top than the Model 1 and are far less grainy, but at the same time they don't have the clarity of the Pass Aleph. I'd characterize them as richer sounding than the Pass, but they don't go so far that I would call it a coloration. Again, this type of characterization is heavily dependent on a person's sonic taste.