Quality of recording while evaluating speakers


Melody Gardot, Diana Krall, and others.

The above recordings are done so well they sound absolutely Great in most systems. And then there are recordings that are not as open and have trouble filling the room enjoyably and yet the melodies are very good and it's unfortunate they didn't do a better good job in the recording studio.

So how do you evaluate a speaker other than to be familiar with a recording on how it sounds in your system versus how it sounds in another system.  Basically we are at the mercy of Recording quality when we listen to our systems.

Even more painful is home theater streaming when the music is wonderful but the quality sucks and once in a while it sounds really good but this can be rare which is sad.

So speaker manufacturers have to deal with these issues and we put up with poor recordings and how does this factor into your decisions when evaluating new speakers?

So we end up buying really nice speakers knowing that so much of what we will eventually listen to Will not have been recorded very well making things a bit frustrating at times.  There's only so much that can be done to make things sound better given these limitations. So how does one cope with all this?

 

emergingsoul

Showing 1 response by whart

Use as wide a range of recordings as possible. Some "audiophile approved" records do not reflect what one might ordinarily listen to. I have a thing for ’70s era post bop- not exactly a high point in vinyl quality. But nonetheless revealing since many of those recordings were done without a lot of production. They will allow you to hear acoustic instruments in what are typically small groups.

Of course, if your diet consistent of highly produced rock, pop, or the like, you should use those too, since that is what you will be listening to, presumably.

Punchline for me: choose a wide range of different recordings. You want to hear strengths and weaknesses of what you are evaluating. The biggest hurdle is often translating that into what you’ll hear in your system at home. That’s why I like to audition gear in my system. I can pretty quickly get a handle on what it is doing, good or bad.