PrimaLuna Dialogue Preamp = emotionless?


After years of running a PS Audio Direcstream dac directly into ATC active floorstanders, I decided to take everyone’s advice and add a preamp into the mix. I picked up a used PrimaLuna Dialogue with highly regarded Mullard CV4003’s and Phillips 5R4GYS’s, the tubes purchased by the original owner five years ago from Upscale Audio, a terrific source. My correspondents were correct about adding a good preamp: it transforms everything in a very big way. That’s the good news -- and bad. The latter is the reason for posting.

Before the preamp, this was a modestly warm system, for which the Directstream is known. It was one in which it was not hard to find myself drawn into the music and performance. Since adding the PrimaLuna however, I find myself watching -- or listening to -- emotion but not feeling a thing. That is, beyond marveling at the other characteristics of the presentation. After that, I’m left perfectly cold - 100%. This is not at all what I expected -- or desire.

So what to do... Is there anything I should look at with the preamp? What about other preamps, preferably tube ones? The skinny these days is that tube gear developers are trying to imitate the "neutrality" of solid state, the so-called modern tube sound some call it. With the PrimaLuna, I was expecting to find a point in between the classic tube sound and the common solid state one, but what I’m hearing is more than a little distant from that.

(Other than adding the PrimaLuna and not having Ultimate beeswax fuses in the DS and PL currently for other reasons, nothing else in my system has changed: modified Oppo 203 w/ digital output only, PS Audio P15 Regenerator and AC-12 power cords, and MG Audio Design AG2 ICs,)
highstream

Showing 2 responses by paulcreed

I'll try to keep this short and hope this isnt offensive. I bought a little cheap Bruce Moore Preamp from a guy that had a Dialogue being shipped to him but it hadn't come in yet. He contacted me and regretted selling me the preamp and wanted it back. He describes the same thing you said. He had 4 very nice amps solid state and tube on hand and just couldn't enjoy the amp like he was hoping. He bought many highly regarded NOS tubes ( spent a lot of money) but couldn't get it to work even after 8 months, we still stay in touch and he is going to sell the amp. 
15 or so years ago I sold my Preamp and bought a BAT VK5i SE it came with new production RCA 6922's and couldn't enjoy the preamp. The amp took 8 6922's. I knew it was the tubes so I bought 8 bugle boys it was better but the music didn't grab me. Was advised to buy nos power supply tubes so I did. Music just wasn't as fun listening to music anymore. I figured I needed to warm things up so I bought some nice nos Valvo's and then Mullards, everybody said BAT was so nice. I sold the amp. Funny thing was while I was chasing tubes to fix the BAT I listened to my 10 pound Don Allen Preamp that came with some kind of oddball $15 tubes he chose for building the preamp that was a complete joy to listen to big tight bass wonderful detail reteaveal but main thing it was very musical. I saw a video of Kevin Deal talking what makes the prima Luna so great was how much it weighed and how many parts are in it and a bad sounding preamps are light with not many parts in it. I don't know if I agree with that one. Problem is with all the things involved in a system a few things can through it off. You don't know if you can fix it unless you try but it can be expensive and agrivating road just to listen to music.