PREAMP technology shift? - Class A/ balanced/ dual-mono/ zero feedback vs. op-amp preamps


Hi all,

Even ten years ago, it seemed that the gold standard for solid-state pre's was some combination of the following: Class A/ balanced/ dual-mono/ zero feedback or local feedback. Recently, I'm seeing a range of well-reviewed preamps, from Schiit to Rowland, that use new, high-quality op-amps in their circuitry, to the extent that I wonder if op-amp technology, and chip manufacture in general, has gotten so good that some of the tried and true markers of quality (MOSFETs, Class A circuits) are not in the market except at the highest end, and even then, see also Jeff Rowland. Or is it that manufacturers are looking to less power hungry designs (I know that Rowland was concerned with meeting EU efficiency requirements in its latest designs) and so avoid Class A, for example? Does balanced/ dual mono seem less popular because separates are now less popular than integrateds? Have we reached a tipping point with op amps?

Here's a more focused question. I have invested in a 90s era Aragon 8008BB dual mono balanced amp, but i have an early 90s B&K PRO10-MC that I want to upgrade. Is a Schiit Freya a significant step up, or should I save my pennies for a used, more recent example of the old school: Classe CP500, Pass Labs Aleph or X2.5, or a good example of a newer approach, the Rowland Capri. Speakers are Vandersteen 2CE Sigs. Input impedance of the Aragon is 44 kOhms. 

The tube route is always possible, but I like the idea of a no-fuss, very clean ss, valuing sound stage and detail over warmth, which makes me think I'd be wasting my time with the Freya (any shoutouts for its JFET stage?)

Thanks for letting me wonder aloud!

Paul


paulburnett

Showing 1 response by audioman58

There are many different types . I have had many in my day .Currently I have which is considered the purest preamp type, Single ended . Which has several unique features . It is a Direct Heated Triode type completely Lundahl Transformer coupled 5 transformers,and 3 chokes and the little known 4P1L Vacuum tube 
which is very Linear, plenty of gain to eliminate the need of another tube for additional gain stage like many indirect Heated tubes. A very detailed and 
well balanced tube .it can be a bit microphonic in vibration if the builder does not 
isolate the tubes and isolate and damp the power from the Audio output section properly .modern technologies like relay remote and 63 step Shunt attenuated- Khozmo type. just another  twist for another Audiophile dilemma.