Pre amps cost vs. value ... what I discovered last month.


Greetings all.

I’m a mastering engineer. www.magicgardenmastering.com . We use Acoustic Zen balanced cabling, highly modified Cary 211 FE tube amps, Bricasti M1 SE DAs and Joachim Gerhard’s Allegra speakers. TORUS balanced power comes 220 from the street. The room is excellent, and you would love to hear it.

For 15 years the pre amp/router was a Crane Song Avocet. I paid around $1800 for it.

Recently decided to try a couple of audiophile products in the pre amp stage and was shocked and saddened how bad they were. Yes, the studio designed Avocet has a relay click for each 1db step, and yes it has a rack mounted 2U body with a corded remote, but it’s clear folks are really getting taken to the cleaners on pre amps. The older and highly regarded Boulder 1010 (used price $5500), was just terrible, truly terrible. The new and fully broken in BAT vk-43SE (demo price $7500) was much better, but still had a cloudy tone as compared to the class A Avocet. Not sure if that’s the cap or the transformer, but it made everything less clear and more generic, more distant from the music.

That’s all. Happy listening.
128x128brianlucey

Showing 1 response by tweak1

Kudos playmore

OP, Recently I went on an in depth search to replace my Parasound P 5  preamp(MSRP $1095). Aside from fitting my budget, the 2 main reasons were; it has separate XLR E/O circuitry, and a separate bass control circuit, which I was hoping to control the ridiculously sensitive VCs on my 2 SVS powered subs. Alas, it turned out to be of no help.. I also discovered that piggybacking off my main amps with speaker wire to the subs sounded much cleaner, but does not help with VC.

It seems upgrading from the P5 means jumping up to the $4K range, and if I could find a used Parasound JC 2 it's in the $3K range. The lack of funds headed me back to passive preamps. Decades ago I owned several, including an autoformer, but that was long before I replaced all my rca kit with XLR. You think your thread brought out the uglies, try discussing rca v XLR

Moving on, I found 2 PPs that caught my eye; the Hattor and the Tortuga, who uses LDR instead of resistors. Their XLR version looks to be very high quality with lots of I/Os, and is reasonably priced at $2495 with a 30 day return, but it was out of my budget. Still, worth consideration. The Hattor is also extremely well made: their LR version MSRP is $995. Bingo. It fit my budget, and after 9 days I still love it, though it ruthlessly exposes inferior recordings.

I know nothing about your ICs, but David Salz of WireWorld has been making inroads int the mastering/recording studio market. They too offer a money back