Putting a woofer into a sealed enclosure raises the resonant frequency of the driver. The acoustic output of the woofer thus starts rolling off at a higher frequency than does the same woofer in a ported enclosure. However, it’s slope is (as Erik properly corrected me on ;-) the shallower 2nd-order, so that as frequency descends, the output of the sealed woofer eventually crosses the more-steeply-falling 4th-order slope of the ported woofer, thereby providing more output at the lowest frequencies both woofers are capable of. I.E., the woofer plays lower in a sealed enclosure than in a ported.
I have a pair of 1/4-wave transmission line enclosures, each with the famous KEF B139 woofer (used in pairs by David Wilson in his WAMM loudspeaker) at it’s front end (together creating a fundamental resonant Q at 15Hz), and while very good for it’s time (early-70’s) is no match for the Rythmik F15HP, let alone the Rythmik/GR Research OB/Dipole Sub. Jim Salk installs a Rythmik subwoofer and associated plate amp in his upmarket speaker models.