Please tell me about the Coda Technologies 15.0


I'd like to hear from those who have the amp now or who have moved on from it and why. All the reviews look great and I do love class A sound like Pass Labs. I don't necessarily want the absolute truth in my gear but lean towards the more musical, non-fatiguing end of the scale.

Thanks for any comments.
joeinid

Showing 3 responses by rtilden

Hi, Joe: Yep, I have the CODA 15.0 and love it. I will be happy to give you more information via phone if my comments here don't suffice. Try to send me a private message if that is the case, and I'll email you my phone number. First, I have 4-ohm speakers (Tyler Woodmeres), which require the grunt of a high-current amp to sound their best. The 15.0 was specifically designed to run this type of low-impedance speaker, which pays dividends for those of us living in that scenario. The VAC Sig 2a was on my short list, but I ended up with a Purity Audio Designs tube preamp instead (also very highly regarded). So, my electronics are in line with your potential scenario.

This amplifier has NO weaknesses that I can detect, and my system is quite revealing. I could list a dozen positive adjectives right off the bat, and they would all be appropriate. No one or two or three things stand out with the sonics; each area is as strong as the others. It is powerful, sweet, has all the finesse AND imaging that you would wish for. Instruments are palpable and immediate (if the recording contains it). And all the time, it sounds like music (not hi-fi). My musical test track is pretty grueling, and, among the more difficult passages are complex classical, which can convey a huge shift in dynamic range in an instant, and in the next instant, shift from a full-on orchestral battering to the airiest and most delicate sound of flute and harp. This amp doesn't care..... it delivers whatever I throw at it and doesn't flinch.

I am familiar with the VAC sound, and I think the 15.0 will mate with it very well. Both are sweet, full and liquid sounding. I think you will be more than satisfied with the imaging, too. I have read that high-powered Class A delivers excellent imaging, and I can only nod my head, based upon my results. Stage width, depth, air surrounding individual instruments, layering of instruments in a group, different textures, all of it is there in the highest sonic quality I could hope for. With an expensive tube preamp, you certainly don't want to lose imaging potential with an amp, and solid state might make some folks shake in their boots for fear that they might lose imaging potential. But I am extremely satisfied and could not ask for better. I hope this was helpful.
Ren Tilden/Winter Park, Florida
John is right. It just so happens that both the VAC and the Purity are transformer coupled at the outputs and can easily handle this condition. That is why they were on my short list! I run mine balanced, and it sounds superb. Even so, I doubt short runs would have a noticable sonic difference if RCAs were used. BUT... CODA does recommend using balanced whenever possible, which is one of the things that drove me to focus on those two preamps.

Joe: I didn't catch the speakers you are using. What are they?
Hi, Joe: I am not familiar with the power/current reqirements of the SF Evolutions (I do see that they are two-way), but the 15.0 will give you plenty of everything you need, plus a bunch of room to grow. This amplifier makes music with AUTHORITY. That is to say, this amp properly drives (handily controls) my 4-ohm Woodmeres in a 30x31.5x12 room at levels louder than anyone would care to listen (and with audiophile quality). That is ten SEAS drivers in all, four of which are 10" diameter. I don't want to beat you over the head with my message, but this amp will will allow you to move up to the biggest, baddest, multi-driver speakers if you so choose, and do it with both authority and grace. Just trying to offer more guidance by giving some perspective here about the capabilities of this amp.