Phono Stage upgrade to complement Dohmann Helix One Mk 2


Thanks to the recommendations from many users on this Audiogon blog, I think I was able to make a more informed purchase of a turntable, the Dohmann Helix One Mk 2.  I've really been enjoying the turntable for the past month!  

The next phase of my system now needs attention:  the phono stage.  Currently, I'm using a Manley Steelhead v2 running into an Ypsilon PST-100 Mk2 SE pre-amplifier (into Ypsilon Hyperion monoblocks, into Sound Lab M745PX electrostatic speakers). 

I've been told that I could really improve my system by upgrading the phono stage from the Manley Steelhead (although I've also been told that the Manley Steelhead is one of the best phono stages ever made).  
Interestingly, two of the top phono stages that I'm considering require a step-up transformer (SUT).  I'm not fully informed about any inherent advantages or disadvantages of using an SUT versus connecting directly to the phono stage itself.  

I suppose my current top two considerations for a phono stage are the Ypsilon VPS-100 and the EM/IA  LR Phono Corrector, both of which utilize an SUT.  I don't have a particular price range, but I find it hard to spend $100k on stereo components, so I'm probably looking in the $15k - $70k price range. 
Thanks. 

drbond

Showing 2 responses by vassilis_t

@drbond, what a difficult, yet fun decision. I happen to own a full Ypsilon and FM Acoustics systems and they are both awesome. Both systems are "buy and forget" as you focus on enjoying music and nothing else. The Ypsilon Phono requires SUTs for MC, and in my case I have 2 from Ypsilon to cover the cartridges I use. The FM has switches and modules with various resistance values (FM122, in my case), instead. Obviously, the FMA 223 mentioned above is at a higher level than mine. I have selected not to mix the two systems, as they both perform the best when matched with their in-house components. Another phono that I considered seriously prior to deciding on the Ypsilon was the Zanden Model 1200mk3. The TTs I use are Helix 2 with Ikeda arm, Thales Compact II with Simplicity II arm, and Simon Yorke S4 and S10 with their "house" S7 and Aero arms, respectively. Cartridges used are VDH Frog, multiple top IKEDA, Lyra Skala, Transfiguration Orpheus,  Shelter 901III, various EMT, Grado MM Reference and Ortofon A90. All contribute to sonic diversity and fun, as well as to prove to friends that choice of cartridge can totally transform a system, up or down!

I do not know where you live, but now with the "show season" in full swing, you maybe be able to convince distributors to bring their phono to your home for a trial. There is no other better or safer way to make the decision.

Unfortunately, I haven't auditioned the Manley or the EM/IA, thus no comparative notes there.

Good luck!

 

@drbond, I cannot separate one or the other systems in terms of performance. Like my two children (lol). They have different design philosophies yet they both arrive at outstanding levels of music reproduction. Both extremely dynamic, natural and engaging. In good recordings, you are certainly part of the audience in the front table. They can reproduce equally well large scale events or a duet. The FMA will provide more fine-tuning on the spot for cartridge matching but so can the Ypsilon with custom or special order SUTs, if you have difficult loads. Regarding A/B comparison of the phono, I have not done as the two systems are in different continents. Even though the FM122 is easily transportable and works in 100-240V, the turntables and cartridges would be different. Therefore, never done. I enjoy both systems equally as I have tried to maximize performance for the budget and space. Apologies for not being as concrete as you would have liked. In any case, I would recommend an audition before you buy. When I was selecting my systems, I visited both manufacturers for audition as there were no dealers near me. They were both kind enough to facilitate. Hopefully, you do not have to do so. Good luck