... If you read the history of phono equalization, you find that the original tolerance for meeting the RIAA curve was +/-2db.
That is not at all how the curve was specified by RIAA or any of the standards organizations. It’s possible that some manufacturers allowed this tolerance, but it would have been a pretty sloppy tolerance, even then.
That was probably the margin for error of necessity, based on the microphones and the recording equipment up to and including the lathes available in the late 1950s.
None of that has anything to do with the RIAA curve, which is applied pretty much at the end of the chain, just before cutting the disc. Any errors in microphones or recording equipment would be corrected as needed in the mixdown and mastering, before the RIAA curve is applied.