Phono cartridge suggestions sought


Hi All,

 I am in the market for a new phono cartridge. I can run up to $1400 but would prefer not to if i can get the performance I want. 

I listen to predominantly Jazz on vinyl, though some rock, folk and classical also gets spun

I recently heard a Hana SL and Rega Apheta at a dealers—different decks, same room and system. Both sounded good although the Apheta was not as heavy sounding and at the same time sounded more “present”. I wasn’t really looking at the Apheta, but it was available to listen to. 

The room is accoustically live with lots of glass and hard surfaces but all sounds good. 

System: Naim Atom, Bryston TT, Parasound JC jr phono stage (so huge loading flexibility and gain up to the 60’s), Totem Acoustics Signature Ones, Transparent cables. Current cart: Denon 103r with 250 hours on it, so it is winding down. 

I have enjoyed the Denon. But wondering about that all elusive “more.”

on paper spec, nobody touches the Grados for channel separation, but not sure how essential a criterion that should be. Especially since I worked hard to tame some RFI from a nearby antenna and the Grados I have heard said are not well-shielded. 

Since my Totems only drop down to 45 Hz, I suppose absolute resolution on the low end could be sacrificed for other sonic goods. 

Ok, hive mind, what do you suggest?
dramatictenor

Showing 3 responses by yeti42

Some random thoughts:
A bit more output than the 103 wouldn’t go amiss if the 60dB quoted as the maximum gain for an unbalanced output for your phonostage by Absolute sounds is accurate. 
What do you know about your arm, was the 103 a good match?
I’ve been very pleasantly surprised by the performance of a London Decca I fitted to an Aro recently, and rather disappointed when it started humming when a neighbour turned something or other on in the adjacent apartment, probably his TV or a computer or some such.
If you can get to hear one a 17DX might give the apheta a run for its money but you’re into micro line there so you’ll need clean records, the plus side is the 2000 hour plus stylus life if you don’t mess up the bias setting (like I did on my first D2).
The D2 lacked a bit for body but the range has been improving there, it never lacked for speed.
I’ve heard the Atom at the factory driving Sopra 1s and at a dealership driving some Russell K floor standers, on both occasions the object was to show the improvement to be had from the Star and Nova, I’ve not hears it with speakers that were chosen for the Atom, oh and I’ve heard it powering some Shahinian Hawks surprisingly well, though not well enough to live with, its still an entry level product, how much cartridge does it need?
I get the succession thing, I have some Thiels and a Transfiguration, the latter will be very hard to replace. Ortofon and AT won’t suffer from that though AT have been known to drop support for some of their discontinued cartridges after a disappointingly short while.


I’m going to try an SPU Royal N on an arm I can get up to 18g affective mass and it’s a heavy cartridge. Word from my arm’s builder is that this may not be enough but give it a try. I’m replacing a Transfiguration Proteus, now an orphan cartridge, and it will be a hard act to follow so something radically different may help stop me comparing it too harshly. I still have a part worn 17D3 but the Proteus did everthing that cartridge did only better. The 17D is still a good cartridge though, I used several of them for 25 years on a Rock mk2 with an RB300.
I thought 1.7 was the factor to convert compliance at 100Hz to that at 10Hz. This gives 8.5 and with a Rega 300 at 11.5 gives a resonance of 12 to 13 Hz, a little high which, might be part of the reason for the popularity of heavier alternative bodies.