I can't use them, as they only take 12g wires.
After listening to 12g vs 10g wires for dedicated lines in my system, I won't go back to 12g. And then listening to 10g stranded v 10g solid, I won't go back to stranded. The size of stage is larger(both width, depth, and height), there is a more confident pace and swagger to the system with solid core, much better PRaT (this was 10g solid vs Stranded - both made the 12g sound "clogged" or veiled). Like better interconnects between preamp and monoblock amps.(I have 4 dedicated lines, for various gear, same phase of the pannel; all were very well broken in both in terms of amperage and time, and could compare various gear for best synergy)
So I stick to Acme and FIM. The Acme's really do the focus of deep bass and hall info like no other, and the FIM's are musical, yet still detailed. I use what works synergy wise with various gear (digital seperated from analog, and amps, and preamps,....)
After listening to 12g vs 10g wires for dedicated lines in my system, I won't go back to 12g. And then listening to 10g stranded v 10g solid, I won't go back to stranded. The size of stage is larger(both width, depth, and height), there is a more confident pace and swagger to the system with solid core, much better PRaT (this was 10g solid vs Stranded - both made the 12g sound "clogged" or veiled). Like better interconnects between preamp and monoblock amps.(I have 4 dedicated lines, for various gear, same phase of the pannel; all were very well broken in both in terms of amperage and time, and could compare various gear for best synergy)
So I stick to Acme and FIM. The Acme's really do the focus of deep bass and hall info like no other, and the FIM's are musical, yet still detailed. I use what works synergy wise with various gear (digital seperated from analog, and amps, and preamps,....)