Owens Corning 703 vs. Roxul Safe 'n' Sound?


I'm going to make some sound absorbing panels to place on the wall behind my listening chair. Owens Corning 703 and Roxul Safe 'n' Sound rigid boards are two choices to make them with. Anyone have experience with both, or even one?
bdp24

Showing 21 responses by bdp24

Happy New year Spencer. I'm still getting use to this Northwest weather, quite different from that of the California desert I spent six years in before moving up here. Everything is frozen in the morning! It's dark and cool all day during the Fall and Winter, which I'm really enjoying after being in blinding light and heat for six years. No more skin cancers! I've spent a lot of time on California beaches, and have paid the price.

I bought a nice piece of 1/2" X 2' X 4' plywood and cut it in four equal pieces 6" wide, from which a 6" deep frame measuring 4' square can be assembled. I then got a bag of Roxul Safe 'n' Sound, which contains twelve 3" thick pieces almost 16" wide and 48" long. Three pieces fit inside the frame, and two layers completely fill the frame's 6" depth. Perfect! One bag is just enough to make two absorptive panels, one of which I will position on the wall right behind my listening chair. I'll place the frame on top of a pair 9" Tube Traps butted up against that wall, and the combination of the Traps and panel should mitigate both reflections off the wall and the bass mode (present in all rooms at wall/ceiling/floor boundaries) at the listening position. I haven't done it yet, but Spring isn't that far away ;-) . 

Exactly so Spencer. I have a dedicated room and answer to no one but myself, but I have a fairly developed sense of aesthetics myself, and a desire for a nice looking environment in which to listen to music. I don't have to build any "real" bass traps (one of the disagreements between Ethan and Jon is in regard to what qualifies as one), as in the mid-90's I found thirteen of them, in sizes 9", 11", and 16", for ten bucks apiece (!) in The Recycler, a Southern California weekly "for sale" newspaper.

The music room in my new abode forces me for the first time to sit very close to the rear wall, hence the need for treatment of that wall. I have prioritized having my planar speakers 5' from the wall behind them over the listening position being away from it's wall, as the rear wave of planars really must be delayed at least 10ms behind the front wave, and distance from the wall behind them is the only way to achieve that. Ethan and Jon (and ya'll here on Audiogon) are giving me the info I need to do the rear wall "correctly". Thanks again!---Eric.

Spencer---Man are you right about there being a lot of great info about acoustics and rooms from Ethan Winer on Audio Asylum! I did a search there using his name, and the first page came up with 200 threads, and that was just the first page! I got me some reading to do. The first thread I read through was a "heated" discussion between Ethan and Jon Risch, who also appears to be full of knowledge on the subject. Very interesting and informative, thanks for the tip---Eric.
That's great to know aux. Both Acoustimac and ATS offer their DIY panel frames with or without back panels. Without it is!
Thanks a million Spencer. Yeah, I've seen Ethan, an objectivist, and some subjectivists get into squabbles on other sites. He's a "If you can't prove it with measurements, it doesn't exist" kinda guy. That's fine with me when it comes to acoustics!---Eric.
The amroc program is exactly where I learned of all the modes/nodes in a room! What a great aid in understanding what's going on in any size room, and where acoustic treatment will give the most results. I hadn't seen Ethan Winers article, so thanks auxinput. I'm gonna read it right now.

All good points, guys. My desire to get some absorption of lower frequencies at the listening position originates from having read that bass modes/nodes build up at not just room corners (though that is where they are most prominent), nor not just also along all the rooms wall/floor/ceiling intersections, but also along the wall itself---sealed rooms sound "bassiest" against their walls.

I know it takes a whole lotta material to absorb very low frequencies (below 100Hz), so perhaps going beyond the 2-3" of typical absorptive wall panels would bring marginal improvement in that regard. I have room to place a 9" ASC Tube Trap at either side of my chair, so I could do that and set the wall panels atop them. The rooms two front corners (behind the speakers) will have 11" Traps stacked on the big boys---the 16 inchers, the rooms back corners stacked 9" Traps.

Thanks again ya'll---Eric.

I was back near the same Home Depot today with a little time on my hands. I went in and looked for the Roxul Safe ’n’ Sound myself this time, and found it right on the shelf. S’n’S is 3" thick, and soft and loose, very limp, not at all like the OC703 semi-rigid panels, but more like cotton batting. Acoustimac offers empty 24" x 48" DIY panel frames in various depths, including 6". I’ve read that having a space behind the acoustical material will increase a panels ability to absorb low frequencies---a good thing for me due to the listening position being so close to the rear wall, but what if I was to stuff the frame with two layers of the 3" thick S’n’S? Possessing it’s 2.5lb. density, a 6" thickness of S’n’S won’t reflect back much of the mids and highs hitting it, but will that thickness absorb more, or less, lower frequencies than will a single 3" layer with a 3" space behind it? Acoustimac offers the frame both with and without a thin plywood rear back panel. Since my panels will be right against the wall, I surmise that back wouldn’t affect its performance.
Thanks Spencer. I had a session today, and the studio owner had real good acoustical treatment of his walls---a mixture of RPG diffusors and absorbers. I have a couple of spare 9" x 3' ASC tube traps---maybe I'll put them right behind the listening chair, with a couple of 2" x 2' x 4' panels stacked on top, for higher frequencies.

I didn't expect the extra space behind the panel to turn it into a bass trap! Just to lower its effective absorptive range a little. In the specs chart, it looks as if the Rockboard 60 may be a little better at higher frequencies than the 80, though the difference is marginal and perhaps insignificant. I don't want to over think this! But since the listening position has to be right up against a wall (to allow my dipole speakers to be positioned 5' from the wall behind them), and low-frequency eigenmodes run along room boundaries, absorption at as low a frequency as easily possible would be nice.

So I went to Home Depot last night, and though the HD website stated that the branch I went to had Safe 'n' Sound in stock (even the number of packages), I couldn't find any on the shelves. The HD "dude" couldn't even find it in the stores computer, telling me any acoustical product would have to be ordered. I went in to look at the stuff, to see if it is soft and loose like fiberglass insulation, or stiff like OC703. So Monday I'm going to Lowes, whose website indicates it has 2' x 4' Safe 'n' Sound in stock. We'll see!

auxinput, I took another look at the ATS site. They sell a nice frame kit for cheap, and both Rockboard 60 and 80. I'm leaving for tonights gig a little early 'cause there's a Home Depot right by the joint, so I'm going in to check out the Safe 'n' Sound. I guess either will be fine, though if I make my own frames I can make them with a space behind the acoustical material, which will increase the panels low frequency absorption. Choices, choices!

Nah, I’ll make one frame sized to fit three pieces of the Roxul in, 45-3/4" x 48" interior. There is 56" between the two doors that flank the listening position, on the wall opposite the speakers. I might put a Roxul strip on each of those doors too, if they prove to be reflecting too much sound over to the lp. The space between the doors and the side walls is far enough away from the lp to be of no concern to me. That’s all the absorption I want---just to kill the first reflection from the speakers pointed at the lp wall.

The room sounds fine overall, no glaring problems as far as I can tell. I have ASC Tube Traps and a DSPeaker Anti-Mode for low-frequency eigenmodes, and MG CornerTunes and EchoTunes for any slap and flutter echo emanating from up near the ceiling. The wall behind the speakers will remain reflective---fine (in fact, preferred) for dipole speakers, as will the sidewalls---no need, due to dipole cancellation. First, I’m painting the room, this weekend, hopefully. I chose Sherwin Williams "Mink", a combination of gray and brown that is absolutely beautiful!

Thanks everyone. Home depot sells and stocks the Roxul 3" Safe 'n' Sound in a 12-pack of 15-1/4" x 48" panels for $46.27. Such a deal! Lowes sells them in the 24" width, but with a three package minimum. WAY more than I need.

Here's another question: Should I try absorption on the rest of the back wall (behind the listening position), not just directly behind my head?

I’ve heard good things about Mississippi Studios, but haven’t yet been there. Portland has some great small theaters, and lots of pubs. They pay much better than the clubs and bars in L.A., I’ll tell ya that!
I’ve been playing with Harvest Gold since September. Songs by Neil Young (of course), Stephen Stills, Gregg Allman, Steve Earle, Hunter/Garcia, Dylan, Guy Clark, Arlo Guthrie, etc. And a few originals, for the right audience. The manager is working towards getting the band in the casinos, where the real money is!
You're right auxinput, a pair of ATS 24 x 48 x 2 panels cost only $37 to ship to me, much better. They even make them 4" deep, which I may go for.

Thanks again Brad, and howdy neighbor (sort of)! I’m pretty regular at Music Millennium, but hearing of Jack Pot and Artichoke is great news. I haven’t done much exploring in Portland yet, gotta get into it. I lived in Portland in ’77-8, and all the small records stores selling import LP’s and 45’s back then were gone when I got back up here last year, no surprise. But Music Millennium survives! My record store in L.A. was Amoeba, a pretty amazing place.

I’ve been to The Aladdin, saw Joan Osborne last Summer---great room, great show! Hey, if you have nothing better to do this Friday, I’m playing at JB’s Lounge at The Red Lion in Jantzen Beach, next Friday at Vinyl Tap in Milwaukee, and on the 21st at Laurelthirst on NE Glisan. Say howdy, I’ll buy ya a beer!---Eric.

Thanks Brad, the Acoustimac line looks great, and reasonably priced. A 4' x 4' x 2" panel is only $122, but the shipping to me (NW) is $140! Guess I'll make it myself.

Thanks auxinput. My ESL (old Quads) and magnetic-planar (Magneplanar Tympani T-IV) speakers don’t splatter much sound on the side walls, having the dipole null on either side and being pretty directional at higher frequencies, with the tweeter strips pointed directly towards the listening position at the mid-point of the opposite wall. They will be 5’ from the wall behind them, so diffusion should allow the rear wave to blossom well (one of the best things about planars imo), no need to absorb it. I’m not planning on getting actual real diffusers, having enough LP’s (about 3500), CD’s (around 6000), and books (if I can fit them in!) in racks to pretty much cover the room’s walls.

Thanks for the link Brad, but I don’t see it on my screen. Is it just me?! I need only to cover with absorption the 4’ x 4’ space behind my head on the wall which the listening chair has to be up against, unfortunately, to be able to get the planar speakers 5’ from the wall behind them, a higher priority to me than the lp.

Appreciate the help guys---Eric.

Thanks Spencer. I am able to have my planar speakers (ESL’s and magnetic-planars) 5’ from the wall behind them, so I’m going to try diffusion there first, with absorption only directly behind the listening position---Eric.
Thanks for the advice and link. I’m not covering much wall, just right behind my listening chair, and only because I have to be very close to it. The wall behind the speakers and the sidewalls will have diffusion. The room is intrinsically pretty good sounding, for some reason. For room nodes I have ASC Tube Traps and a DSPeaker Anti-Mode 2.0 Dual Core.