Origin live Cartridge Enabler - a review


This is a basic review aimed at those who are in a similar middle lane of the audiophile analogue motorway.
Enhancements are plentiful for turntables and provoke much intense debate. However I feel as though the use of them is particularly relevant for those like me who have turntables at a lower end level.
So after much review and forum research I decided on Origin live also because I could save on delivery by obtaining a few items at the same time. Analogueseduction is another good option in this regard. Unfortunately, the platter mat I also ordered hadn’t been packed, so I only had their brush and the enabler to enjoy.

I`m aware that the theory is to channel unwanted disturbances from the cartridge into the arm, but I`ve always considered that just damping them would be better. Anyhow that in simple terms is the Enablers job.

The turntable itself is a 1990`s Roksan Xerses, the (platter is aluminium). I have an old Ringmat as platter mat at present. The arm an SME IV, the cartridge a VD Hul retipped Koetsu Black.

I became familiar with a fine pressing of Alan Parsons Eve, first track Lucifer which has quite a lot of detail before installation of the Enabler.

So installation was a bit fiddly, and note well, you will need bolts that are at least 5 mm longer to successfully complete the job. I made every effort to set the VTA as it was before installation, and checked alignments and the settings to make sure that they hadn’t changed.

The very first impression is that the sound is slightly thinner. Straight after that you realize that is because some of the – ringing, bloom? has been removed. So for example, a percussive tap, ting or knock is more definite. Again the bass is slightly lighter, but far less boomy. I player a Peter Gabriel track that sounded overblown in the bass when I listened a couple of days before. Now the bass was tuneful and balanced in tone with the rest of the instruments.

So initial impressions are ones of a satisfactory improvement, and again I maintain that with more modest equipment, if care is taken with the details, the end result can result in a worthwhile improvement. So as the professional reviewers say – highly recommended!

lastperfectdaymusic

Showing 4 responses by millercarbon

Compliance shouldn’t matter. Not that kind of thing. Compliance got nothing to do with it.

I just got one btw, came with the Origin Live Enterprise MkIV arm, that came with the Sovereign MkIV turntable. That came with the Gravity One record weight. The only thing to be tried so far. Based on the same material as the Enabler, it is easily the best record clamp/weight type thing yet.
Interestingly enough, I will soon have the Origin Live Enabler, Mat, and Gravity One record weight. The Mat and Enabler are included with the Sovereign MkIV turntable, and the Gravity One was added at Mark Baker’s suggestion and after reading a lot of terrific reviews. The Enabler will be used on the new Enterprise MkIV arm, also due in next week. Assuming they clear Customs by then.....
Another really good example why sophistry got such a bad rap. The Sophists used rhetoric and reasoning. Problem being, once you set aside tangible results and experience it turns out you can talk yourself into just about anything. 

Myself, I find the explanations and theories of manufacturers and just about everyone else to be at best interesting but more often than not distractions, and often misleading ones at that.

So lewm and lastperfectdaymusic, if you're looking for the typical audiophile banter as to why you can just go look elsewhere. There's reasonably likely explanations as to why this stuff works (dither) but the last thing you guys want is to have it proven. Also, seems to me, not all that interested in results either. Or you wouldn't be contesting it. You'd be reading all the threads already posted by the many people who have heard this stuff and know how effective it is.

All I can say is no lewm, I do not "think" SR PHT makes a "significant" improvement- I KNOW it does. Why, is what I do not know. WHAT however there is no doubt. It is significant.

My reviews were posted months ago. There are 4 versions of PHT. Purple Haze is indeed hazy and the only one I did not care for. Blue Velvet was okay but not worth it to me. Black Widow opened up the stage and improved dynamics and layering in a very neutral way across the board. Green Dream did the same only with an intoxicating borderline seductive liquid quality that really draws me into the music. I was able to get Betty at HighEnd-electronics.com to work with me and so now have one Green Dream and one Black Widow right on the Koetsu, with another Green Dream on the Origin Live Conqueror tone arm tube. There are also two ECT on the arm base, and one on my motor pod. The ECT are a similar effect to the Black Widow, improving dynamics and inner detail and very across the board neutral.

No one else includes these because no one else knows how to make them. The Origin Live Enabler is inexpensive, until you factor in the time it takes to install, and the hardware, the need to re-tweak everything, and the fact this winds up being a massive waste of time in the event it turns out to not be all that great. Let's face it, for $25 almost nobody is gonna go to all that trouble and then turn around and remove it, unless it actually makes things worse. PHT on the other hand can be installed and moved around wherever you want or removed literally in seconds.

Practical results and considerations. Or theoretical gobbledygook. Choose wisely.
I've considered this, based only on the assumption that since Origin Live makes a great arm they must know what they're doing. But the combination of the work involved along with changing VTA so much, it would have to offer really significant improvement to be worth serious consideration. Especially in comparison to something like Synergistic Research PHT that simply stick on and can be easily moved around and compared and do deliver really significant improvement.

Thanks for the review.