Un-involving is such a vague word. You don't indicate if these upgrades were done over time, even a relatively short period, or all at once. I would always recommend changing only one component and living with the results a short while to reduce the number of variables and to be able to appreciate the incremental steps the set-up is taking. I think you may be being overly critical of your system, since the sound of your previous one is probably etched in your mind. If I had to guess from this distance, I would point to the overly long cable between pre and power amps; the length, not necessarily the quality as most here would postulate, seems highly dubious to my mind. I presume you may have had that long cable in your previous set-up, maybe your former components were not as sensitive to it. My basic recommendation: go slow, take things one step at a time and throw out the baby with the bathwater. Good day.
Opinions on why this system is uninvolving
I have just upgraded my system in a number of ways from Snell Type A/IIs to Revel Studios; from Audible Illusions Modulus 2 to Hovland HP-1; and from the earliest EADs to Metronome Technology DAC and transport. I find the system uninvolving much of the time. I also find it lacking in dimensionality, find it sometimes hard sounding and I notice image wander. Here's the whole system:
Revel Studios
Hovland HP-1
MFA 200C mono amps
Metronome DAC and Transport
Shunyata Hydra on amps
Power Wedge I on other components
Various high end cords incl. Top Gun, Shunyata Mamba and EMI whales
Tara Prime (or perhaps 1800) speaker cables (bi-wiring)
Audioquest Ruby interconnects between amps and pre amp (about 30-foot run)
Hovland interconnct between DAC and preamp
Siecor optical AT&T between DAC and transport
Any thoughts on how to arrest these problems would be greatly appreciated. I was thinking about trying solid state amps like the Pass 250 or 350, the McCormack DNA line, Proceed or Rowland, but I'm not really sure that will make a sginficiant difference. I know it could change the sound signficantly, but not necessrily for the better (which I realize is completely subjective anyway).
Revel Studios
Hovland HP-1
MFA 200C mono amps
Metronome DAC and Transport
Shunyata Hydra on amps
Power Wedge I on other components
Various high end cords incl. Top Gun, Shunyata Mamba and EMI whales
Tara Prime (or perhaps 1800) speaker cables (bi-wiring)
Audioquest Ruby interconnects between amps and pre amp (about 30-foot run)
Hovland interconnct between DAC and preamp
Siecor optical AT&T between DAC and transport
Any thoughts on how to arrest these problems would be greatly appreciated. I was thinking about trying solid state amps like the Pass 250 or 350, the McCormack DNA line, Proceed or Rowland, but I'm not really sure that will make a sginficiant difference. I know it could change the sound signficantly, but not necessrily for the better (which I realize is completely subjective anyway).